“I write, and I feel how the correct and precise use of words is sometimes like a remedy to an illness. Like a contraption for purifying the air, I breathe in and exhale the murkiness and manipulations of linguistic scoundrels and language rapists of all shades and colors. I write and I feel how the tenderness and intimacy I maintain with language, with its different layers, its eroticism and humor and soul, give me back the person I used to be, me, before my self became nationalized and confiscated by the conflict, by governments and armies, by despair and tragedy.”

“I write. I give intimate private names to an external and foreign world. In a sense, I make it mine. In a sense, I return from feeling exiled and foreign to feeling at home. By doing so, I am already making a small change in what appeared to me earlier as unchangeable. Also, when I describe the impermeable arbitrariness that signs my destiny — arbitrariness at the hands of a human being, or arbitrariness at the hands of fate — I suddenly discover new nuances, subtleties. I discover that the mere act of writing about arbitrariness allows me to feel a freedom of movement in relation to it. That by merely facing up to arbitrariness I am granted freedom — maybe the only freedom a man may have against any arbitrariness: the freedom to put your tragedy into your own words. The freedom to express yourself differently, innovatively, before that which threatens to chain and bind one to arbitrariness and its limited, fossilizing definitions.”

“I write. I imagine. The act of imagining in itself enlivens me. I am not frozen and paralyzed before the predator. I invent characters. At times I feel as if I am digging up people from the ice in which reality enshrouded them, but maybe, more than anything else, it is myself that I am now digging up.”

“I like to do things that frighten me. When I’m afraid, I understand more things. I want the feeling... All my instincts cry out against it, every morning anew. Then I say, ‘I should do it. If I don’t do it, no one will do it for me.”

“The primary urge that motivates and engenders writing...is the writer's desire to invent and tell a story, and to know himself. But the more I write, the more I feel the force of the other urge, which collaborates with and completes the first one: the desire to know the Other from within him. To feel what it means to be another person. To be able to touch, if only for a moment, the blaze that burns within another human being.”

“And the blood pulses hard, too hard, and some sweet internal assailant comes and quickly shreds the muscles of her shoulders and neck, and soon everything will fall and dissipate, nose and ears and the three gray cells she has left, and with all her strength she tries to calm down, she must stop this, but she is unable to give up these heartbeats, the forgotten precise heartbeats which reply as an echo, and she remembers his hand upon the tablets of her heart, her hand on his chest--feel it, our prisoners are corresponding. But how? She is amazed. How did I let Shaul lead me on like this? Where have I been all evening? But she knows exactly how and where, what she was listening to and what her heart went out to. Look at you, she sighs. No, really, look at you, you and your reaching heart.”

“The best thing about my writing is that it makes me feel alive again. If I am going to be obsessed with self, at least self can give back a little.”