“All human giving is fiction giving. Only the Absolute nonfictively owns; hence only the Absolute can nonfictively give; hence the mortal who believes that he or she owns, stands no chance of receiving what the Absolute has to nonfictively give.”

“I'd trapped myself in a script.... But to be scripted at all is to be prepackaged, programmed, pinned to a page. Only the unwritten can truly live a life. So who I was, what I was, had to be unwritten.”

“There were a couple of occasions in India when I was twenty that felt to me like going out with a thimble in your hand, hoping to catch a drop of rain, and having the ocean land on your head. These experiences convinced me that there is an absolute love that pervades everything.”

“The only way I know to pluck from the hearts of enemies their desire to destroy us is to remove from their lives the sense that, for their own physical and spiritual survival, they must.”

“Sometimes a strikeout means that the slugger’s girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop’s baby daughter has a pain in her head that won’t go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don’t ease off on the cleanup hitter because of the lumps just discovered in his wife’s breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake. Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it’s so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.’s thesis that pro ball-players—little as some of them may want to hear it—are basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.”

“I am led to the proposition that there is no fiction or nonfiction as we commonly understand the distinction: there is only narrative.”

“There was an old Taoist who lived in a village in ancient China, named Master Hu. Hu loved God and God loved Hu, and whatever God did was fine with Hu, and whatever Hu did was fine with God. They were friends. They were such good friends that they kidded around. Hu would do stuff to God like call him "The Great Clod." That's how he kidded. That was fine with God. God would turn around and do stuff to Hu like give him warts on his face, wens on his head, arthritis in his hands, a hunch in his back, canker sores in his mouth and gout in his feet. That's how He kidded. That God. What a kidder! But it was fine with Hu.Master Hu grew lumpy as a toad; he grew crooked as cherry wood; he became a human pretzel. "You Clod!" he'd shout at God, laughing. That was fine with God. He'd send Hu a right leg ten inches shorter than the left to show He was listening. And Hu would laugh some more and walk around in little circles, showing off his short leg, saying to the villagers, "Haha! See how the Great Clod listens! How lumpy and crookedy and ugly He is making me! He makes me laugh and laugh! That's what a Friend is for!" And the people of the village would look at him and wag their heads: sure enough, old Hu looked like an owl's nest; he looked like a swamp; he looked like something the dog rolled in. And he winked at his people and looked up at God and shouted, "Hey Clod! What next?" And splot! Out popped a fresh wart.The people wagged their heads till their tongues wagged too. They said, "Poor Master Hu has gone crazy." And maybe he had. Maybe God sent down craziness along with the warts and wens and hunch and gout. What did Hu care? It was fine with him. He loved God and God loved Hu, and Hu was the crookedest, ugliest, happiest old man in all the empire till the day he whispered,Hey Clod! What now?and God took his line in hand and drew him right into Himself. That was fine with Hu. That's what a Friend is for.”