“I wish there really was such a thing as a Time-Clock Puncher, though. I wish some gigantic, surly, stone-fisted Soap Mahoney-type guy went around the world smashing every clock in sight till there weren't any more and people got so confused about when to go to the mill or school or church that they gave up and did something interesting instead.”

“--I truly and deeply wanted to kill him. And I believe I could have done it, with nothing but my hands. But all of a sudden, out of nowhere, Peter had an arm around me. "Let it go, Kade," he was whispering very gently, though his arm was nearly crushing me. "Open your fists," he said, "and let go of the coals.”

“Sometimes a strikeout means that the slugger’s girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop’s baby daughter has a pain in her head that won’t go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don’t ease off on the cleanup hitter because of the lumps just discovered in his wife’s breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake. Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it’s so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.’s thesis that pro ball-players—little as some of them may want to hear it—are basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.”

“I think it might fly around and around in there like a witch on a broomstick flies round the sky, and go right on hurting invisible parts of the person you don’t even know you’re hurting, because you can’t see all the ways their insides are connected to the mean thing you did to their outside And from them on, maybe that hump of mean energy sits inside the hurt person like a coiled-up hose or a rattlesnake, just waiting in there. And someday, when that person touches somebody else, maybe even way in the future, that rattlesnake energy might come humping up out of them by accident and hurt that next person too, even though they didn’t mean to, and even though the person didn’t deserve it.”

“And onto the screen pops a couple of housewives who start having a poop fit when they see how clean their new dish soap got the dinner plates”

“It was so good to see him in there, yet so funny to find him so much like me, and so tiny. "Nice kingdom you got here," I added, laughing again. "But it didn't feel quite right without you. Or should I say, without me?"This time he laughed too, and though there were no bubbles or sound I could feel his delight rise up through the water: which made me laugh even harder: which made him do the same.--Page 84, "The Brothers K”

“Hearing this, the woman skooched her legs around each other, jingled her bells, leaned toward Everett till their shoulders touched, and laughed and squirmed the sorts of laughs and squirms that Jehovah may have witnessed on the day He created misogyny. The Cosmos kept its balance, though, because Everett was meanwhile leering the sort of testicular leer that Kali may well have had in mind when She inspired Man to create asbestos, carcinogenic beer, and the trenches in World War I.”