“The Austrian writer Robert Musil summed up the Fanatic's great rhetorical advantage in just ten words: There is no truth which stupidity can't make use of.Another Austrian, novelist Heimito von Doderer, put this way:Even the most impossible persons who do the most unforgivable things possess substantial reality; from their points of view they are always right – for let them only doubt that and they are no longer such impossible persons. And we must pay close heed to those who play such ungrateful roles, for these roles are indispensable. It is no small thing to be a monster or a spiteful idiot, and in the first case to think oneself beautiful, in the second a highly intelligent person. Such characters must be represented. Some one has to do it.”

“Interestingly, the word 'person' did not originally refer to the individual in the way we tend to use it today. Instead, 'person' came, via french, from the Latin word 'persona', which referred to the mask worn by tan actor to protray a particular character. In this theatrical sense, personality has to do with the role or character that the person plays in life's drama. The person's individuality, in this sense, is a matter of the roles or characters that he or she assumes.”

“The development of an image is a mysterious thing: once a public figure has been cast in a public role, it is almost impossible for him to change the character. It is as if someone has assembled personality traits into a convenient pattern, no writer ever re-examines it: it is easier to use the accepted pattern.”

“I don't know that we are actually human at this point, those of us who are like most of us, who grew up with the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.”

“It was not in my nature to be an assertive person. I was used to looking to others for guidance, for influence, sometimes for the most basic cues of life. And yet writing stories is one of the most assertive things a person can do. Fiction is an act of willfulness, a deliberate effort to reconceive, to rearrange, to reconstitute nothing short of reality itself. Even among the most reluctant and doubtful of writers, this willfulness must emerge. Being a writer means taking the leap from listening to saying, “Listen to me.”

“Tangled in one another's arms and nine times out of ten the things you think about a person make it impossible to touch them.”