“SEE THIS SCREAM-IT'S FOR YOU, SEE THIS HURT-IT'S BY YOU, SEE THIS MARK-IT'S FROM YOU”

“I thought about the word 'profile' and what a weird double meaning it had. We say we're looking at a person's profile online, or say a newspaper is writing a profile on someone, and we assume it's the whole them we're seeing. But when a photographer takes a picture of a profile, you're only seeing half the face... It's never the way you would remember seeing them. You never remember someone 'in profile.' You remember them looking you in the eye, or talking to you. You remember an image that the subject could never see in a mirror, because you are the mirror. A profile, photographically, is perpendicular to the person you know.”

“And here we are, so different from who we were on September 10th. And also different from who we were on the 11th. And the 12th. And yesterday. Sometimes you see the before/after. And sometimes it's as soft as saying hello.”

“I mean, what if love isn't a yes-or-no question? It's not either you're in love or you're not. I mean, aren't there different levels? And maybe these things, like words and expectations and whatever, don't go on top of the love. Maybe it's like a map, and they all have their own place, and then when you see it from the sky - whoa.”

“It is still strange to see the skyline. I have never seen an absence that's so physical. It's possible I will see the absence for the rest of my life, even when there is something else there. Which is ok. The thing to remember when looking at an absence is that you are standing outside of it.”

“Even though it was hard to see you, it was good to see you.”

“I don't know where I am, Evan.""I'm seeing red everywhere. It's just...everywhere.""I am underwater right now. You don't understand. I'm underwater.""I need a gun.""Evan? I need-”