“The ocean makes its music; the wind does its dance. We hold on. At first we hold on to one another, but then it starts to feel like we are holding on to something even bigger than that. Greater.”

“stanchion, n.I don't want to be the strong one, but I don't want to be the weak one either. Why does it feel like it's always one or the other? When we embrace, one of us is always holding the other a little tighter.”

“Hell, yes," Dev says, sitting up now. "Don't get me wrong - we're totally going to make the beast with two backs tonight. But if we do it right, it's going to feel like holding hands.”

“We hold hands as we walk through town. If anybody notices, nobody cares. I know we all like to think of the heart as the center of the body but at this moment, every conscious part of me is in the hand that he holds. It is through that hand, that feeling, that I experience everything else.”

“When we embrace, one of us is always holding the other a little tighter.”

“My heartbeat accelerates. I am in the here, in the now. I am also in the future. I am holding her and wanting and knowing and hoping all at once. We are the ones who take this thing called music and line it up with this thing called time. We are the ticking, we are the pulsing, we are the underneath every part of this moment. And by making this moment our own, we are rendering it timeless. There is no audience. There are no instruments. There are only bodies and thoughts and murmurs and looks. It's the concert rush to end all concert rushes, because this is what matters. When the heart races, this is what it's racing toward.”

“But isn't this a dance? Isn't all of this a dance? Isn't that what we do with words? Isn't that what we do when we talk, when we spar, when we make plans or leave it to chance? Some of it's choreographed. Some of the steps have been done for ages. And the rest -- the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends.”