“But even this gives rise to another central tenet, attendant to the Comedy Is Good myth: Comedy Is Hard. Certainly well-rendered comedy is hard. All things done well require practice and work. But for the most funny people, being funny is as inevitable as being double-jointed; it is a worldview formed long before words. One is born funny. The adage, as is, is incomplete. It should be Comedy is hard... if you're not funny. Pirouettes are almost impossible... without legs. Jokes can be honed, made better, tighter, and cleaner, and people can even be made funnier. But you can't really make someone funny who isn't.”

“Comedy is simply a funny way of being serious”

“The strongest should come first in comedy because once a character is really established as funny everything he does is funny.”

“Slap-stick comedy is really funny, unless you're the one getting slapped with the stick.”

“A comedy isn't about being funny," said Mrs. Baker. "We talked about this before.""A comedy is about character who dare to know that they may choose a happy ending after all. That's how I know.""Suppose you can't see it?""That's the daring part," said Mrs. Baker.”

“Comedy is hard. In many ways, it's like singing: If you have perfect pitch, it's much easier. But you can still go a long way toward mastering the rudiments if you must trust your voice. Most of the mistakes I've seen people make in trying to write funny is that they don't trust their own senses of humor. They don't think they're funny, and they set out to write funny the way they've read other people being funny with a grim determination that pretty much precludes any chance that anybody is going to have fun. Relax, listen to your characters, exploit their fears and flaws, and mine their situations for places in which they can use their own brands of humor.”