“At first, writing for The New Yorker was very scary to me. I couldn't imagine anything that I would write in that typeface.”

David Sedaris
Dreams Neutral

Explore This Quote Further

Quote by David Sedaris: “At first, writing for The New Yorker was very sc… - Image 1

Similar quotes

“It can take years. With the first draft, I just write everything. With the second draft, it becomes so depressing for me, because I realize that I was fooled into thinking I’d written the story. I hadn’t—I had just typed for a long time. So then I have to carve out a story from the 25 or so pages. It’s in there somewhere—but I have to find it. I’ll then write a third, fourth, and fifth draft, and so on.”


“I hate you' she said to me one afternoon. 'I really, really hate you.' Call me sensitive, but I couldn't help but take it personally.”


“But instead I am applying for a job as an elf. Even worse than applying is the very real possibility that I will not be hired, that I couldn't even find work as an elf. That's when you know you're a failure.”


“She's afraid to tell me anything important, knowing I'll only turn around and write about it. In my mind, I'm like a friendly junkman, building things from the little pieces of scrap I find here and there, but my family's started to see things differently. Their personal lives are the so-called pieces of scrap I so casually pick up, and they're sick of it. More and more often their stories begin with the line "You have to swear you'll never repeat this." I always promise, but it's generally understood that my word means nothing.”


“Potential boyfriends could not smoke Merit cigarettes, own or wear a pair of cowboy boots, or eat anything labeled either lite or heart smart. Speech was important, and disqualifying phrases included “I can’t find my nipple ring” and “This one here was my first tattoo.” All street names had to be said in full, meaning no “Fifty-ninth and Lex,” and definitely no “Mad Ave.” They couldn’t drink more than I did, couldn’t write poetry in notebooks and read it out loud to an audience of strangers, and couldn’t use the words flick, freebie, cyberspace, progressive, or zeitgeist. . . . Age, race, weight were unimportant. In terms of mutual interests, I figured we could spend the rest of our lives discussing how much we hated the aforementioned characteristics.”


“I'd Begin to imagine my life in a foreign country, some faraway land where, if things went wrong, i could always blame somebody else, saying I'd never wanted to live there in the first place.”