“IT’S HARDLY a coincidence that “Shipping Out,” Wallace’s most well-known essay, appeared only a month before Infinite Jest, his most well-known novel, was published. Both are about the same thing (amusing ourselves to death), with different governing données (lethally entertaining movie, lethally pampering leisure cruise). In an interview after the novel came out, Wallace, asked what’s so great about writing, said that we’re existentially alone on the planet—I can’t know what you’re thinking and feeling, and you can’t know what I’m thinking and feeling—so writing, at its best, is a bridge constructed across the bridge of human loneliness.”

“To be a serious writer requires discipline that is iron fisted. It’s sitting down and doing it whether you think you have it in you or not. Everyday. Alone. Without interruption. Contrary to what most people think, there is no glamour to writing. In fact, it’s heartbreak most of the time. --Harper Lee”

“Writing is thinking. To write well is to think clearly. That's why it's so hard."(Interview with NEH chairman Bruce Cole, Humanities, July/Aug. 2002, Vol. 23/No. 4)”

“It’s absolutely essential that a writer know himself, for until he knows his abilities and limitations, his talents and problems, he will be unable to produce anything of real value. Secondly, you must be able to look coldly at what you do. The writer must know for whom he writes, why he writes, and if his writing says what he means for it to say. Writing is, in a way, a contest of knowing, of seeing the dream, of getting there, and of achieving what you set out to do. The simplest way to reach this goal is to simply say what you mean as clearly and precisely as you know how.--Harper Lee”

“Books are a social substitute; you read people who, at one level, you'd like to hang out with. [David Foster Wallace]'s writing self--it's most pronounced in his essays--was the best friend you'd ever have, spotting everything, whispering jokes, sweeping you past what was irritating or boring or awful in humane style.”

“That’s writing, I suppose—dozens of decisions about what’s in, what’s out, what goes with what, what’s clever but not honest, what’s so honest that it’s a truism, what’s meretricious—and all just to produce one short sketch.”

“You said before that you were tired. Well, I’m tired, too. Tired of letting everything stay unsaid. We spend all our time together, and we do it because we want to, right? And I guess I think a lot about that, and about us. And about … well, more. Us having more. It’s not about lust or sex or whatever you want to call it. I mean, some of it is that. But mostly it’s about belonging. When I’m with you, I belong. It just naturally felt like that. And I think it felt like that for you. But I don’t know where that leaves us, or even what that is. I’m just tired of trying to figure it out myself. I need the other half of the equation.”