“My standard for verisimilitude is simple and I came to it when I started to write prose narrative: fuck the average reader. I was always told to write for the average reader in my newspaper life. The average reader, as they meant it, was some suburban white subscriber with two-point-whatever kids and three-point-whatever cars and a dog and a cat and lawn furniture. He knows nothing and he needs everything explained to him right away, so that exposition becomes this incredible, story-killing burden. Fuck him. Fuck him to hell.”
“Sex," the driver said, "Has no one ever told you about it?"I took the New York Times from my carry-on bag and pretended to read, an act that apparently explained it all."Ohhh," the driver said, "I understand. You do not like pussy. You like the dick. Is that it?" I brought the paper close to my face, and he stuck his arm through the little window and slapped the back of his seat. "David," he said, "David, listen to me when I am talking to you. I asked do you like the dick?""I just work," I told him. "I work, and then I go home, and then I work some more." I was trying to set a good example, trying to be the person I'd imagined him to be, but it was a lost cause."I fucky-fuck every day," he boasted. "Two women. I have a wife and another girl for the weekend. Two kind of pussy. Are you sure you no like to fucky-fuck?" If forced to, I can live with the word "pussy," but "fucky-fuck" was making me carsick. "That is not a real word," I told him. "You can say fuck, but fucky-fuck is just nonsense. Nobody talks that way. You will never get ahead with that kind of language."Traffic thickened because of an accident, and, as we slowed to a stop, the driver ran his tongue over his lips. "Fucky-fuck," he repeated. "I fucky-fucky-fucky fuck.”
“Certain motherfuckers think they can fuck with my shit, but you can't kill the Rooster. You might can fuck him up some times, but, bitch, nobody kills the motherfucking Rooster. You know what I'm saying?”
“McLarney laughs, then leaps into the parable of Snot Boogie, who joined the neighborhood crap game, waited for the pot to thicken, then grabbed the cash and bolted down the street only to be shot dead by one of the irate players."So we're interviewing the witnesses down at the office and they're saying how Snot Boogie would always join the crap game, then run away with the pot, and that they'd finally gotten sick of it..."Dave Brown drives in silence, barely tracking this historical digression."And I asked one of them, you know, I asked him why they even let Snot Boogie into the game if he always tried to run away with the money."McLarney pauses for effect."And?" asks Brown."He just looked at me real bizarre," says McLarney. "And then he says, 'you gotta let him play....This is America”
“Stories that pander to your every readerly desire and whim are like overly loyal dogs that live for the simple glow of your approval. I'm a cat person. I like a little aloofness in my pets and my writing.”
“You've got to face facts and the fact is life is a joke, a fucking bad joke, or, no, a bad fucking joke. There's no point taking it seriously because whatever happens, and I mean whatever the fuck, the punch line is the same: you go out horizontally. You see the point? No fucking point.”
“He was my first boyfriend, and I made him my everything - he was my new life, my new love, my new compass point. I guess that's the danger with firsts - you lose all sense of proportion.”