“He had no credit cards. This made him suspicious in a country that not only looked to the future but lived on the earnings from it.”

“Although she had resisted this knowledge all her life, had lived determinedly in the future focused there by ambition, she understood at last that this was the real condition of humanity: The dance of life occurred not yesterday or tomorrow, but only here at the still point that was the present. This truth is simmple, sel-evident, but difficult to accept, for we sentimentalize the past and wallow in it, while we endure the moment and in every waking hour dream of the future.”

“Ryan's parents, no less than Sam's, were of that portion of the post-war generation that rejected the responsibilities of tradition and embraced entitlement. Sometimes it seemed to him that he was the parent, that his mother and father were the children. Regardless of the consequences of their behavior and decisions, they would see no need for redemption. Giving them the chance to earn it would only offend them.”

“Framed behind glass is a card from a carnival fortune-telling machine. It promises you are destined to be togetherforever.”

“In real life during the last decade of the twentieth century, Rumpelstiltskin would probably get the queen's daughter. He would no doubt addict her to heroin, turn her out as a prostitute, confiscate her earnings, beat her for pleasure, hack her to pieces, and escape justice by claiming that society's intolerance for bad-tempered, evil-minded trolls had driven him temporarily insane.”

“Dogs invite us not only to share their joy but also to live in the moment, where we are neither proceeding from nor moving toward, where the enchantment of the past and future cannot distract us, where a freedom from practical desire and a cessation of our usual ceaseless action allows us to recognize the truth of our existence, the reality of our world and purpose-if we dare.”

“When Mary Shelley took a local legend based on truth and crafted fiction from it, she'd made Victor a tragic figure and killed him off. He understood her dramatic purpose for giving him a death scene, but he loathed her for portraying him as tragic and a failure.Her judgement of his work was arrogant. What else of consequence did she ever write? And of the two, who was dead - and who was not?”