“Apologize to the lady,” Blake’s voice was smooth, calm, and deadly. He’d also unleashed his bright green eyes on the poor bastard, who looked like he might wet his pants.”

“He is dead and gone, lady, He is dead and gone; At his head a grass-green turf, At his heels a stone.”

“He found Whitebread curled up in the chair like a cat, her hand touching Blake’s. She was sleeping, and Beckett had almost turned tail to leave her in peace when Blake’s eyes snapped open.“The fuck!?” Beckett ran to Blake’s side as his brother’s face registered the room in panic.Whitebread popped up and was almost nose-to-nose with Blake immediately. Beckett leaned around her and held his brother’s flailing arms.Livia spoke in a soft, urgent voice. “Blake? They have you on a ventilator; this thing in your mouth needs to be removed by the doctor. Just calm down. Look, I’m here. I’m here. See? It’s okay. Just try to be calm.”Whitebread stroked Blake’s cheek.”

“Um,” Arthur says. He’s looking at me dead-on, like he’s forcing himself to do it. God, I wish he would knock it off. I also wish he’d lose his eyelashes in a freak eyelash fire incident. And his lips, too, because all of a sudden I’m looking at them, what is that. “Yes. I thought we should discuss—”“You mouth-mauling me?” I ask loudly, indignantly, like a tough sonuvabitch who doesn’t want to be mouth-mauled. I make myself meet his eyes. They’re green; I never paid attention before. This really light, interesting, intelligent green— FUCK, this guy needs to STOP HAVING A FACE.”

“I try to catch my breath and calm myself down, but it isn't easy. I was dead. I was dead, and then i wasn't, and why? Because of Peter? Peter? I stare at him. He still looks so innocent, despite all that he has done to prove that he is not. His hair lies smooth against his head, shiny and dark, like we didn't just run for a mile at full speed. His round eyes scan the stairwell and then rest on my face. "What?" he says. "Why are you looking at me like that?" " How did you do it?" I say.”

“I concentrated on his eyes and his facial expression. Those said a lot about a person. I’d noticed that his eyes changed color based on his mood. Right now they were a true clear green, which meant he was happy. When his eyes turned cloudy with a mix of gray, he was angry. But my favorite shade was clear dark green, the color of his eyes when he’d just kissed me. Eyes only told part of the story. Drawing a portrait could be like looking at a person’s soul, when done right.”