“How she hated words, always coming between her and her life: they did the ravishing, if anything did: ready-made words and phrases, sucking all the live-sap out of living things.”

“How did her life live itself without her.”

“...He had no breath, no being, but in hers, she was his voice; he did not speak to her. But trembled on her words; She was his sight, For his eye followed hers, and saw hers, Which colored all his objects-he had crease to live within himself; She was his life, The ocean to the river of his thoughts...”

“How did she end up here, like this? How could there have been so much - so many moments, so many people and things, so many razors and pillows, timepieces and subtle coffins - without her being aware? How did her life live itself without her?”

“of all the unusual features of Stargirl, this struck me as the most remarkable. Bad things did not stick to her. Correction: her bad things did not stick to her. If we were hurt, if we were unhappy or otherwise victimized by life, she seemed to know about it, and to care, as soon as we did. But bad things falling on her -- unkind words, nasty stares, foot blisters -- she seemed unaware of. I never saw her look in a mirror, never heard her complain. All of her feelings, all of her attentions flowed outward. She had no ego.”

“She did not hate Clent for the way he had spoken. For most of her life she had been at the mercy of stronger and more powerful people who cared nothing for her. She had always been afraid, and her fear had made her angry.”