“They looked at each other and laughed, then looked away, filled with darkness and secrecy. Then they kissed and remembered the magnificence of the night. It was so magnificent, such an inheritance of a universe of dark reality, that they were afraid to seem to remember. They hid away the remembrance and the knowledge.”

“She could just distinguish his features, as he slept the perfect sleep. In this darkness, she seemed to see him so distinctly. But he was far off, in another world. Ah, she could shriek with torment, he was so far off, and perfected, in another world. She seemed to look at him as at a pebble far away under clear dark water. And here was she, left with all the anguish of consciousness, whilst he was sunk deep into the other element of mindless, remote, living shadow-gleam. He was beautiful, far-off, and perfected. They would never be together. Ah, this awful, inhuman distance which would always be interposed between her and the other being! There was nothing to do but to lie still and endure. She felt an overwhelming tenderness for him, and a dark, under-stirring of jealous hatred, that he should lie so perfect and immune, in an other-world, whilst she was tormented with violent wakefulness, cast out in the outer darkness.”

“She looked at her roses. They were white, some incurved and holy, others expanded in an ecstacy. The tree was dark as a shadow. She lifted her hand impulsively to the flowers; she went forward and touched them in worship.”

“When I want to move, I remember death, how it is ultimate and inevitable, and pure. Then I am free to move properly in life. It's like a man who wants to think, going and standing in front of a window. The space purifys ones' soul. And death is a window to me, with the darkness outside. And when I stand there, looking out, then the world and its active life seems only like a roomful of racket and light behind me, where I am taking part for a time, but not staying for long. It does not contain me and confine me. When I stand peacefully looking out on death, what is true in my soul disengages itself and is free and clear and untrammeled, I know what to do, I am sure, and free, and glad. Then I can turn into the world again"..."When one stands in front of the darkness, and knows that one's own life will pass away there also, into the darkness...then, in the peace that accompanies this knowledge, one can declare simply that the existing world of man is base and wrong, and must go, we know that our lives contain the inception of a new earth.."..."Remembering death, I know the life of the world as it is now is not living, it is a bad process of dying. And what we must live for is a new world of life. It doesn't matter when we die, so long as we live fulfilling the deepest desire that is in us. And a life which is a denial of the deepest desire is much worse than any death, it is a sheer lie.""If one accepts death and knows that nothing can take us away from that, one has the freedom and strength to live in truth, putting down the lies that pretend they own our living. But one must have the pure knowledge of death behind one, before one has really faith to tackle life and falsity. Being sure in death I am strong in life. And so, in life, and in all the world of man, I have no master, save the deepest desire of my own soul, in which death and life are one.”

“Night, in which everything was lost, went reaching out, beyond stars and sun. Stars and sun, a few bright grains, went spiraling round for terror, and holding each other in embrace, there in a darkness that outpassed them all, and left them tiny and daunted. So much, and himself, infinitesimal, at the core of nothingness, and yet not nothing.”

“Sunday night meant, in the dark, wintry, rainy Midlands ... anywhere where two creatures might stand and squeeze together and spoon.... Spooning was a fine art, whereas kissing and cuddling are calf-processes.”

“In the inner dark she saw a handsome bay horse with his clean earspricked like daggers from his naked head as he swung handsomely roundto stare at the open doorway. He had big, black, brilliant eyes, with asharp questioning glint, and that air of tense, alert quietness which betraysan animal that can be dangerous... He was of such a lovely red-goldcolour, and a dark, invisible fire seemed to come out of him .. .She looked at the glowing bay horse, that stood there with his ears back,his face averted, but attending as if he were some lightning conductor. Hewas a stallion . ..Dimly, in her weary young-woman's soul, an ancient understandingseemed to flood in . . . For some reason the sight of him, his power, his alive,alert intensity, his unyieldingness, made her want to cry. She never didcry ... But now, as if that mysterious fire of the horse's body had split somerock in her, she went home and hid herself in her room, and just cried. Thewild, brilliant, alert head of St Mawr seemed to look at her out of anotherworld. It was as if she had had a vision, as if the walls of her own world hadsuddenly melted away, leaving her in a great darkness, in the midst of whichthe large, brilliant eyes of that horse looked at her with demonish question,while his naked ears stood up like daggers from the naked lines of hisinhuman head, and his great body glowed red with power.What was it? Almost like a god looking at her terribly out of theeverlasting dark, she had felt the eyes of that horse; great, glowing,fearsome eyes, arched with a question, and containing a white blade oflight like a threat. What was his non-human question, and his uncannythreat? She didn't know. He was some splendid demon, and she mustworship him. (St Mawr)”