“My favourite setting are England, because I was born here and love it, and Spain, because it's fabulous and so romantic.”

“My favourite setting is Italy, specifically Venice, because it is there that I met my husband, who is Venetian. I used it as the setting for Virtue and Vice, Enchantment in Venice, and Seduced by Innocence. Apart from Venice, my favourite city is Rome.”

“Yeah, because I'm extremely romantic here. You know what is my fear? This postmodern, permissive, pragmatic etiquette towards sex. It's horrible. They claim sex is healthy; it's good for the heart, for blood circulation, it relaxes you. They even go into how kissing is also good because it develops the muscles here – this is horrible, my God! It's no longer that absolute passion. I like this idea of sex as part of love, you know: 'I'm ready to sell my mother into slavery just to fuck you for ever.' There is something nice, transcendent, about it. I remain incurably romantic.”

“Why do women love The Princess Bride so much? Here's a thought: because its hero, Westley, is able to simultaneously fill the roles of dashing romantic adventurer and seriously devoted (maybe even borderline henpecked) fiance.”

“All this, and discontent too! Otherwise, why am I sitting here dreaming of England? Why am I gazing at this campfire like a lost should seeking a hope when all that I love is at my wingtips? Because I am curious. Because I am incorrigibly, now, a wanderer.”

“I've set the vast majority of my books in New England because that's where I live. I love this part of the country the gentle hills, the lush forests, the cycles of the seasons, the ocean, the quiet lakes and rivers that spread across the region. And, then of course, there's that Yankee spirit, which is a combination of optimism and responsibility, rugged individualism and a strong sense of community. I consider myself and my characters very lucky to live in New England.”