“...for most people in the [Jewish] Ghetto [of Warsaw] nature lived only in memory -- no parks, birds, or greenery existed in the Ghetto -- and they suffered the loss of nature like a phantom-limb pain, an amputation that scrambled the body's rhythms, starved the senses, and made basic ideas about the world impossible for children to fathom.”

“What do you want with these special Jewish pains? I feel as close to the wretched victims of the rubber plantations in Putamayo and the blacks of Africa with whose bodies the Europeans play ball… I have no special corner in my heart for the ghetto: I am at home in the entire world, where there are clouds and birds and human tears.”

“Ghetto living is more than just a feeling of confinement; it is a sense of suffocation too.”

“We've only been living in these ghettos for seventy-five years or so, but the other three hundred years -- I think this is worth writing about. I think we've made tremendous sacrifices, we've shown tremendous strength. In the ghetto you see a lot of frustration; you see very little strength.”

“Whether in music or in fiction, the most basic thing is rhythm. Your style needs to have good, natural, steady rhythm, or people won't keep reading your work.”

“This was the ghetto: where children grow down instead of up.”