“Don’t market yourself. Editors and readers don’t know what they want until they see it. Scratch what itches. Write what you need to write, feed the hunger for meaning in your life. Play at the serious questions of life and death.”

“A writer is a dangerous friend. Everything you say, all of your life and experience, is fodder for our writing. We mean you no harm, but what you know and what you’ve done is unavoidably fascinating to us. Being friends with a writer is a bit like trying to keep a bear as a pet. They’re wonderful, friendly creatures, but they play rough and they don’t know their own strength or remember that they have claws. Choose the stories you tell to your writer friends carefully.”

“My ignorance is essential. I do not write what I know but what I need to know.”

“Even the most productive writers are expert dwadlers.”

“Don’t write what you know—what you know may bore you, and thus bore your readers. Write about what interests you—and interests you deeply—and your readers will catch fire at your words.”

“Living is really hard, but death is forever. We’re all going to die eventually, so what’s your rush' Even if you think committing suicide will make you seem tragic and romantic and cool, you’ll never know what happened anyway. Don’t you want to know how your life was supposed to turn out. Wouldn’t you like to see what you’re made of?”

“What is literature, and why do I try to write about it? I don’t know. Likewise, I don’t know why I go on living, most of the time. But this not knowing is precisely what I want to preserve. As readers, the closest way we can engage with a literary work is to protect its indeterminacy; to return ourselves and it to a place that precludes complete recognition. Really, when I’m reading, all I want is to stand amazed in front of an unknown object at odds with the world.”