“But Robin: their dear little Robs. More than ten years later, his death remained an agony; there was no glossing any detail; its horror was not subject to repair or permutation by any of the narrative devices that the Cleves knew. And—since this willful amnesia had kept Robin's death from being translated into that sweet old family vernacular which smoothed even the bitterest mysteries into comfortable, comprehensible form—the memory of that day's events had a chaotic, fragmented quality, bright mirrorshards of nightmare which flared at the smell of wisteria, the creaking of a clothes-line, a certain stormy cast of spring light.”

“Twelve years after Robin's death, no one knew any more about how he had ended up hanged from a tree in his own yard than they had on the day it happened.”

“Someone knocked me down; I pushed Brinker over a small slope; someone was trying to tackle me from behind. Everywhere there was the smell of vitality in clothes, the vital something in wool and flannel and corduroy which spring releases. I had forgotten that this existed, this smell which instead of the first robin, or the first bud or leaf, means to me that spring has come. I had always welcomed vitality and energy and warmth radiating from thick and sturdy winter clothes. It made me happy, but I kept wondering about next spring, about whether khaki, or suntans or whatever the uniform of the season was, had this aura of promise in it. I felt fairly sure it didn't.”

“Memory, instead of being a duplicate, always present before one's eyes, of the various events of one's life, is rather a void from which at odd moments a chance resemblance enables ones to resuscitate dead recollections, but even then, there are innumerable little details which have not fallen into that potential reservoir of memory, and which will remain for ever unverifiable.”

“...he shrunk more and more from the realities of life and above all from the society of his day which he regarded with an ever growing horror,--a detestation which had reacted strongly on his literary and artistic tastes; he refused, as far as possible, to have anything to do with pictures and books whose subjects were in any way connected with modern existence.”

“And what agony, thought Krug the thinker, to love so madly a little creature, formed in some mysterious fashion (even more mysterious to us than it had been to the very first thinkers in their pale olive gloves) by the fusion of two mysteries, or rather two sets of a trillion of mysteries each; formed by a fusion which is, at the same time, a matter of choice and a matter of chance and a matter of pure enchantment; thus formed and then permitted to accumulate trillions of its own mysteries; the whole suffused with consciousness, which is the only real thing in the world and the greatest mystery of all.”