“Everything I know, everything I put in my fiction, will hurt someone somewhere as surely as it will comfort and enlighten someone else. What then is my responsibility? What am I to restrain? What am I to fear and alter--my own nakedness or the grief of the reader? I want my stories to be so good they are unforgettable; to make my ideas live and my own terrors real for people I will never meet. It is a completely amoral writer's lust. If we begin to agree that some ideas are too dangerous, too bad to invite inside our heads, then we stop the storyteller completely. We silence everyone who would tell us something that might be painful in our vulnerable moments.”

“My heart broke all over again. I wanted my life back, my mama, but I knew I would never have that. The child I had been was gone with the child she had been. We were new people, and we didn't know each other anymore. I shook my head desperately.”

“Before I published any of my own stories, I read a great many stories by people as passionate about writing as I was, and I learned something from everyone I read -- something most important what I should not try to write.”

“Behind the story I tell is the one I don't.Behind the story you hear is the one I wish I could make you hear.Behind my carefully buttoned collar is my nakedness, the struggle to find clean clothes, food, meaning, and money. Behind sex is rage, behind anger is love, behind this moment is silence, years of silence.”

“I did not imagine anyone reading my rambling, ranting stories. I was writing for myself, trying to shape my life outside my terrors and helplessness, to make it visible and real in a tangible way, in the way other people's seemed real -- the lives I had read about in books.”

“I want hard stories, I demand them from myself. Hard stories are worth the difficulty. It seems to me the only way I have forgiven anything, understood anything, is through that process of opening up to my own terror and pain and reexamining it, re-creating it in the story, and making it something different, making it meaningful - even if the meaning is only in the act of the telling.”

“I would imagine being tied up and put in a haystack while someone put the dry, stale straw ablaze. I would picture it perfectly while rocking on my hand. The daydream was about struggling to get free while the fire burned hotter and closer. I am not sure if I came when the fire reached me or after I had imagined escaping it. But I came. I orgasmed on my hand to the dream of fire.”