“Kate slid to her knees, pulling the child’s head to her breast, her mouth in its hair. “Pippa. Pippa, we’re awful fools. What Father means is that truly nothing we have ever done can harm us, and Mr. Crawford has mixed us up with someone else. But you know what unstable-looking parents you have. He doesn’t believe us, but he says he’ll believe you. It’s not very flattering,” said Kate, looking at her daughter with bright eyes, “but you seem to be the one in the family with an honest sort of face, and your father and I must just be thankful for it. Go over to him, darling. I’ll be behind you. And just speak,” she said with an edge like a razor. “Just speak as you would to the dog.”
In this powerful quote from Dorothy Dunnett's novel, a mother, Kate, is pleading with her daughter, Pippa, to speak the truth in a moment of crisis. Kate acknowledges the uncertainty and instability of their family, but urges her daughter to be the voice of reason and honesty. The emotional intensity of the scene is palpable as Kate implores Pippa to bravely confront the situation and assert the truth. The use of the metaphor of speaking to the dog emphasizes the necessity of simple, direct communication in a time of confusion and potential danger. Ultimately, this quote highlights the importance of honesty and courage in the face of adversity.
In this excerpt from Dorothy Dunnett's novel, we see a mother trying to protect her child from a misunderstanding and urging her to speak the truth. The theme of parental guidance and the importance of honesty in family dynamics remains relevant in modern parenting. As parents, it is crucial to instill values of honesty and integrity in our children and guide them through challenging situations.
In this intense and emotional scene from Dorothy Dunnett's writing, Kate is trying to get her daughter, Pippa, to speak up and tell the truth to Mr. Crawford. This passage showcases Kate's desperation and determination to protect her family.
This haunting passage from Dorothy Dunnett's work raises questions about honesty, trust, and the complexity of family dynamics. Consider the following reflection questions:
“Once, long ago, Francis Crawford had reduced her to terror and, the episode over, she had suffered to find that for Kate, apparently, no reason suggested itself against making that same Francis Crawford her friend. He was not Philippa’s friend. She had made that clear, and, to be fair, he had respected it. He had even, when you thought of it, curtailed his visits to Kate, although Kate’s studied lack of comment on this served only to make Philippa angrier. He had been nasty at Boghall. He had hit her at Liddel Keep. He had stopped her going anywhere for weeks. He had saved her life. That was indisputable. He had been effective over poor Trotty Luckup, while she had been pretty rude, and he hadn’t forced himself on her; and he had made her warm with his cloak. He had gone to Liddel Keep expressly to warn her, and when she had been pig-headed about leaving (Kate was right) he had done the only thing possible to make her. And then he had come to Flaw Valleys for nothing but to make sure of her safety, and he had been so tired that Kate had cried after he had gone. And then it had suddenly struck her, firmly and deeply in her shamefully flat chest, so that her heart thumped and her eyes filled with tears, that maybe she was wrong. Put together everything you knew of Francis Crawford. Put together what you had heard at Boghall and at Midculter, what you had seen at Flaw Valleys, and it all added up to one enormous, soul-crushing entity. She had been wrong. She did not understand him; she had never met anyone like him; she was only beginning to glimpse what Kate, poor maligned Kate, must have seen all these years under the talk. But the fact remained that he had gone out of his way to protect her, and she had put his life in jeopardy in return.”
“When Philippa had first demanded his help in eluding Kate and travelling to St Mary’s, he had indignantly refused. He was there now because he had discovered, to his astonishment, that she was desperate, and perfectly capable of going without him. Why she had got it into her young head she must see this man Crawford, Cheese-wame didn’t know. But after pointing out bitterly that (a) he would lose his job; (b) the rogues in the Debatable would kill them, (c) that she would catch her death of cold and (d) that Kate would never speak to either of them again, he went, his belt filled with knives and her belongings as well as his own in the two saddlebags behind his powerful thighs, while Philippa rode sedately beside him on her smaller horse, green with excitement, with her father’s pistol tied to her waist like a ship’s log and banging against her thin knees.”
“Philippa’s letter, from an afflicted conscience, was not very much longer. … if I don’t look for him, no one else will. You know I’m sorry. But I couldn’t leave that little thing to wither away by itself Don’t be sad. We’re all going to come back. And you can teach him Two Legs and I Wot a Tree, and save him the top of the milk for his blackberry pie. He’ll never know, if we’re quick, that nobody wanted him.… Which had, Kate considered as she scrubbed off her tears, a ring of unlikely confidence about it, as well as rather a shaky understanding of the diet of one-year-old babies.”
“There was a silence. Then: ‘What you are saying,’ said Philippa slowly, ‘is that the child Khaireddin would be better unfound?’ The Dame de Doubtance said nothing. ‘Or are you saying,’ pursued Philippa, inimical from the reedy brown crown of her head to her mud-caked cloth stockings, ‘that you and I and Lymond and Lymond’s mother and Lymond’s brother and Graham Malett would be better off if he weren’t discovered?’ ‘Now that,’ said the Dame de Doubtance with satisfaction, ‘is precisely what I was saying.’ ‘How can I find him?’ said Philippa.”
“So she was on her own, Kate thought, and instilled all the friendly helpfulness she could into her next question. “Excuse me, but are you the bad company young Mr. Scott has got into?”
“Only common mortals like the Somervilles have good old rotten hates, dear,’ said her mother. ‘Sir Graham manages to love everybody and wouldn’t know what you’re talking about. Have a bun.’ ‘He doesn’t love the Turks,’ said Philippa. ‘He kills them.’ ‘That isn’t hate,’ said Kate Somerville. ‘That’s simply hoeing among one’s principles to keep them healthy and neat. I’m sure he would tell you he bears them no personal grudge; and they think they’re going to Paradise anyway, so it does everyone good.”