“To pass over grief, they say, the Italian sleeps; the Frenchman sings; the German drinks; the Spaniard laments, and the Englishman goes to plays. What then does the Scot?’ To Jerott’s mind sprang, unbidden, a picture of the sword Archie Abernethy was trying to clean at this moment below. ‘This one,’ he said, ‘kills.”

Dorothy Dunnett
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“So Philippa got her leave to bring Archie Abernethy with her and sail on the Dauphiné. But they had not seen the woman Marthe before they left Lyons. And permission to sail from Marseilles depended still, Philippa was grimly aware, on whether or not the woman Marthe was found to be eligible. Kiaya Khátún, she imagined, would pass like a shot.”


“Jerott’s hand increased its grip on her arm. ‘He is an island with all its bridges wantonly severed. What hostage to evil,’ said Jerott, poetic in his thumping displeasure, ‘will this night’s business conceive?’ ‘I don’t know. But they’re both nice and clean, if that’s anything,’ said Philippa. And led the way philosophically down.”


“I was a slave in the corsair Dragut’s own palace. I saw his women—Spanish, French, Italian, Irish. I was at the branding of all his poor children. To some women, degradation like that is the worst sort of torture.’ There was a small silence, in which Philippa’s epiglottis popped like a cork. Beside her, Jerott’s breathing faltered in the same moment and resumed, shallowly, as he went on straining to hear.”


“So: ‘Why did you laugh?’ demanded Philippa, and shook Jerott’s hand off her arm. ‘Oh, that?’ said Lymond. ‘But, my dear child, the picture was irresistible. Daddy, afflicted but purposeful, ransacking the souks of the Levant for one of his bastards, with an unchaperoned North Country schoolgirl aged—what? twelve? thirteen?—to help change its napkins when the happy meeting takes place.… A gallant thought, Philippa,’ said Lymond kindly, sitting down at the table. ‘And a touching faith in mankind. But truly, all the grown-up ladies and gentlemen would laugh themselves into bloody fluxes over the spectacle. Have some whatever-it-is.”


“Moving forward quietly to Jerott’s side, Adam Blacklock had heard. ‘Don’t you understand? The authorities are afraid of them both,’ he said gently. ‘Why do you supose this cordon is here, which only an unarmed girl was allowed to pass through? Lymond, loyal to Scotland, might be a threat to French power greater than even Gabriel, one of these days—Philippa!’ And a wordless shout, like a cry at a cockfight, rose among the stone pillars and sank muffled into the old, dusty banners above the choir roof. For Philippa Somerville, who believed in action when words were not enough, had leaned over and snatched the knife from Lymond’s left hand.”


“They’re talking about Marthe, Maître Gaultier’s assistant. What’s she like? Pretty?’ ‘She’s pretty,’ said the man. Philippa studied the taciturn face. ‘Oh, I see,’ she said. ‘Mr Blyth wants her all to himself?’ For a moment, she thought it hadn’t worked. Then the man gave a snort. ‘Mr Blyth want her? He held us up at Avignon for two days refusing to go on until she was sent back home, but Gaultier wouldn’t do it, and he had to give in. Mr Blyth and Gaultier haven’t spoken since. Aye,’ said Jerott’s man morosely. ‘It’s going to be a grand, sociable trip.”