“What an extraordinary fuss there has been,’ said the Dame de Doubtance raspingly, ‘about that irresponsible Irishwoman and her improper child.”

“There was a silence. Then: ‘What you are saying,’ said Philippa slowly, ‘is that the child Khaireddin would be better unfound?’ The Dame de Doubtance said nothing. ‘Or are you saying,’ pursued Philippa, inimical from the reedy brown crown of her head to her mud-caked cloth stockings, ‘that you and I and Lymond and Lymond’s mother and Lymond’s brother and Graham Malett would be better off if he weren’t discovered?’ ‘Now that,’ said the Dame de Doubtance with satisfaction, ‘is precisely what I was saying.’ ‘How can I find him?’ said Philippa.”

“He’d heard of this woman. The Dame de Doubtance, they called her: a madwoman and a caster of horoscopes. Gaultier gave her house-room and men and women came to her from all the known world and had their futures foretold—if she felt like it. She had given some help once to Lymond, on her own severe terms, because of a distant link, it was said, with his family. Plainly, a crazy old harridan. But if she was going to tell Lymond he ought to find a nice girl and marry her, Jerott wanted very much to be there.”

“Being an Irishwoman means many things to me. An Irishwoman is strong and feisty. She has guts and stands up for what she believes in. She believes she is the best at whatever she does and proceeds through life with that knowledge. She can face any hazard that life throws her way and stay with it until she wins. She is loyal to her kinsmen and accepting of others. She's not above a sock in the jaw if you have it coming.”

“It has been often said, very truly, that religion is the thing that makes the ordinary man feel extraordinary; it is an equally important truth that religion is the thing that makes the extraordinary man feel ordinary.”

“oh... so this is what all the fuss is about.”