“[O]ne can scarcely be frightened off writing what one wants to write for fear an obscure reviewer should patronise one on that account.”

“The one thing which seems to me quite impossible is to take into consideration the kind of book one is expected to write; surely one can only write the book that is there to be written.(Letter to Muriel St. Clare Byrne, 8 September 1935)”

“It's disquieting to reflect that one's dreams never symbolize one's real wishes, but always something Much Worse... If I really wanted to be passionately embraced by Peter, I should dream of dentists or gardening. I wonder what unspeakable depths of awfulness can only be expressed by the polite symbol of Peter's embraces?”

“_'You shouldn't say thank you for a good review,' said Harriet. 'That would imply that one had done a favour to the author, whereas one has simply done justice to the book.'_”

“I know what you're thinking - that anybody with proper sensitive feelings would rather scrub floors for a living. But I should scrub floors very badly, and I write detective stories rather well. I don't see why proper feelings should prevent me from doing my proper job.”

“It's not the innocent young things that need gentle handling--it's the ones that have been frightened and hurt.”

“But suppose one doesn't quite know which one wants to put first. Suppose," said Harriet, falling back on words which were not her own, "suppose one is cursed with both a heart and a brain?""You can usually tell," said Miss de Vine, "by seeing what kind of mistakes you make. I'm quite sure that one never makes fundamental mistakes about the thing one really wants to do. Fundamental mistakes arise out of lack of genuine interest. In my opinion, that is.”