“‎Oh, anywhere, driver, anywhere - it doesn't matter. Just keep driving.It's better here in this taxi than it was walking. It's no good my trying to walk. There is always a glimpse through the crowd of someone who looks like him—someone with his swing of the shoulders, his slant of the hat. And I think it's he, I think he's come back. And my heart goes to scalding water and the buildings sway and bend above me. No, it's better to be here. But I wish the driver would go fast, so fast that people walking by would be a long gray blur, and I could see no swinging shoulders, no slanted hat.Dorothy Parker, Sentiment, Harper's Bazaar, May 1933.”

“I don't know what his problem is," I said as Michael and I left the school. "Why would he tell me to be careful if he hates my guts?" "Because he doesn't hate your guts. I think he likes you." Michael was walking so fast I had to jog to keep up with him. "Isn't it obvious?”

“I remember once I came into his room alone, when no one was with him. It was a bright evening, the sun was setting and lit up the whole room with its slanting rays. He beckoned when he saw me, I went over to him, he took me by the shoulders with both hands, looked tenderly, lovingly into my face; he did not say anything, he simply looked at me like that for about a minute: "Well," he said, "go now, play, live for me!" I walked out then and went to play.”

“Inside me, there is an organ more important than my heart. Although you can't see it, I feel it going right through my head and down to my legs, and I know that it exists inside me. It's the one that lets me stand up and walk forward. So that I can walk forward, without ever trembling. If I stopped here I feel like it would break...My soul would break. Even more than if my heart stops beating, to me that is the most important. Even if I become senile and my back gets bent, I still have to walk forward.”

“Four wanders through the crowd of initiates, watching us as we go through the movements again. When he stops in front of me, my insides twist like someone is stirring them with a fork. He stares at me, his eyes following my body from my head to my feet, not lingering anywhere - a practical, scientific gaze."You don't have much muscle", he says, "which means you're better off using your knees and elbows. You can put more power behind them."Suddenly he presses a hand to my stomach. His fingers are so long that, though the heel of his hand touches one side of my rib cage, his fingertips still touch the other side. My heart pounds so hard my chest hurts, and I stare at him, wide-eyed."Never forget to keep tension here", he says in a quiet voice.Four lifts his hand and keeps walking. I feel the pressure of his palm even after he's gone. It's strange, but I have to stop and breathe for a few seconds before I can keep practicing again.”

“I took a step back."Here." He plunked his wet hat on my head. "Don't go anywhere," he told me, then turned away.”