“‎Oh, anywhere, driver, anywhere - it doesn't matter. Just keep driving.It's better here in this taxi than it was walking. It's no good my trying to walk. There is always a glimpse through the crowd of someone who looks like him—someone with his swing of the shoulders, his slant of the hat. And I think it's he, I think he's come back. And my heart goes to scalding water and the buildings sway and bend above me. No, it's better to be here. But I wish the driver would go fast, so fast that people walking by would be a long gray blur, and I could see no swinging shoulders, no slanted hat.Dorothy Parker, Sentiment, Harper's Bazaar, May 1933.”

“He'll be cross if he sees I have been crying. They don't like you to cry. He doesn't cry. I wish to God I could make him cry. I wish I could make him cry and tread the floor and feel his heart heavy and big and festering in him. I wish I could hurt him like hell.He doesn't wish that about me. I don't think he even knows how he makes me feel. I wish he could know, without my telling him. They don't like you to tell them they've made you cry. They don't like you to tell them you're unhappy because of them. If you do, they think you're possessive and exacting. And then they hate you. They hate you whenever you say anything you really think. You always have to keep playing little games. Oh, I thought we didn't have to; I thought this was so big I could say whatever I meant. I guess you can't, ever. I guess there isn't ever anything big enough for that.”

“Because your eyes are slant and slow,Because your hair is sweet to touch,My heart is high again; but oh,I doubt if this will get me much.”

“They say of me, and so they should,It's doubtful if I come to good.I see acquaintances and friendsAccumulating dividendsAnd making enviable namesIn science, art and parlor games.But I, despite expert advice,Keep doing things I think are nice,And though to good I never comeInseparable my nose and thumb.”

“...It's not that she has not tried to improve her condition before acknowledging its hopelessness. (Oh, come on, let's get the hell out of this, and get into the first person.) I have sought, by study, to better my form and make myself Society's Darling. You see, I had been fed, in my youth, a lot of old wives' tales about the way men would instantly forsake a beautiful woman to flock about a brilliant one. It is but fair to say that, after getting out in the world, I had never seen this happen, but I thought that maybe I might be the girl to start the vogue. I would become brilliant. I would sparkle. I would hold whole dinner tables spellbound. I would have throngs fighting to come within hearing distance of me while the weakest, elbowed mercilessly to the outskirts, would cry "What did she say?" or "Oh, please ask her to tell it again." That's what I would do. Oh I could just hear myself."-Review of the books, Favorite Jokes of Famous People, by Bruce Barton; The Technique of the Love Affair by "A Gentlewoman." (Actually by Doris Langley Moore.) Review title: Wallflower's Lament; November 17, 1928.”

“God, the bitter misery that reading works into this world! Everybody knows that - everbody who IS everybody. All the best minds have been off reading for years. Look at the swing La Rouchefoucauld took at it. He said that if nobody had ever learned to read, very few people would be in love. Good for you, La Rouchefoucauld; nice going, boy. I wish I’d never learned to read.”

“I'll be the way I was when I first met him. Then maybe he'll like me again. I was always sweet, at first. Oh, it's so easy to be sweet to people before you love them.”