“I wore only black socks, because I had heard that white ones were the classic sign of the American tourist. Black ones though,- those'll fool 'em. I supposed I hoped the European locals' conversation would go something like this:PIERRE: Ha! Look at that tourist with his camera and guidebook!JACQUES: Wait, but observe his socks! They are...black!PIERRE: Zut alors! You are correct! He is one of us! What a fool I am! Let us go speak to him in English and invite him to lunch!”

“The kitten I got is black and white and has long hair. Really long hair (think Willie Nelson). I decided to call him Cap’n because his markings make him look like a pirate. The majority of his face is white, except over his left eye is a black patch of fur, like an eye patch, and under his chin he has black hair that’s long and comes to a point like a goatee. Also, when I got him he had a parrot on his shoulder and a wooden leg.”

“Throughout my life as I’ve sought to become a published writer of speculative fiction, my strongest detractors and discouragers have been other African Americans. These were people who had, like generations before them, bought into the mythology of racism: black people don’t read. Black people can’t write. Black people have no talents other than singing and dancing and sports and crime. No one wants to read about black people, so don’t write about them. No one wants to write about black people, which is why you never see a black protagonist. Even if you self-publish, black people won’t support you. And if you aim for traditional publication, no one who matters — that is, white people — will buy your work.(A corollary of all this: there is only black and white. Nothing else matters.)Having swallowed these ideas, people regurgitated them at me at nearly every turn. And for a time, I swallowed them, too. As a black woman, I believed I wasn’t supposed to be a writer. Simultaneously I believed I was supposed to write about black people — and only black people. And only within a strictly limited set of topics deemed relevant to black people, because only black people would ever read anything I’d written. Took me years after I started writing to create a protagonist who looked like me. And then once I started doing so, it took me years to write a protagonist who was something different.”

“I started to speak to him in his native tongue, "why would you want to sit with me?" He pressed his lips together, and his eyebrows screwed up. He ran a hand through his spiky black hair. "I don' speak Japanese," He said in English. "But My parents do." "Strange," I said. "A Japanese boy who only speaks English?”

“Hey,Nik."I turned around to see Cole, dressed head to toe in black. Black suit, black shirt,black tie hanging loose around his neck.He looked me up and down. His gaze paused briefly on my legs, and his mouth opened slightly. I folded my arms."Um...you...look beautiful," he said."You look black," I replied."Thank you.That's the look I was going for." He held a hand out. "C'mon. Let's dance."I didn't move. "What were you going to show me?""Dance with me first."I shook my head."Look,Nik, I know you don't like public scrutiny lately. If you stand off to the side,all mopey and such, without a date,you'll stick out like a nun at a strip club." He leaned in. "Trust me, I've seen one. A nun at a strip club, that is.Everyone was staring at her.”

“His breath smelled like a one-inch tall man wearing stinky socks used his tongue as a treadmill. Talking to him only reminded me how out of shape I am.”