“We didn’t need a special word for interactivity in the same way that we don’t (yet) need a special word for people with only one head.”

“during this century (the twentieth) we have for the first time been dominated by non-interactive forms of entertainment: cinema, radio, recorded music and television. Before they came along all entertainment was interactive: theatre, music, sport - the performers and audience were there together, and even a respectfully silent audience exerted a powerful shaping presence on the unfolding of whatever drama they were there for. We didn't need a special word for interactivity in the same way that we don't (yet) need a special word for people with only one head.I expect that history will show "normal" mainstream twentieth century media to be the aberration in all this. 'Please, miss, you mean they could only just sit there and watch? They couldn't do anything? Didn't everybody feel terribly isolated or alienated or ignored?'Yes, child, that's why they all went mad. Before the Restoration.'What was the Restoration again, please, miss?'The end of the twentieth century, child. When we started to get interactivity back.”

“What we need are more people who specialize in the impossible.”

“We need, in a special way, to work twice as hard to help people understand that the animals are fellow creatures, that we must protect them and love them as we love ourselves.”

“He shrugged. "The same as any other. It's a way to make people feel better about themselves. Everyone likes feeling special. Being part of an elite group is a way to do that." "But you weren't part of it?" "No need. I already know I'm special.”

“We know we are very special,” Davis writes in “Special”: “Yet we keep trying to find out in what way: not this way, not that way, then what way?” (from James Wood's review of the FSG "Collected Stories of Lydia Davis")”