“He spent a lot of time flying.He learnt to communicate with birds and discovered that their conversation was fantastically boring. It was all to do with wind speed, wing spans, power-to-weight ratios and a fair bit about berries. Unfortunately, he discovered, once you have learnt birdspeak you quickly come to realize that the air is full of it the whole time, just inane bird chatter. There is no getting away from it.”

“He learned to communicate with birds and discovered their conversation was fantastically boring. It was all to do with windspeed, wingspans, power-to-weight ratios and a fair bit about berries.”

“Read him slowly, dear girl, you must read Kipling slowly. Watch carefully where the commas fall so you can discover the natural pauses. He is a writer who used pen and ink. He looked up from the page a lot, I believe, stared through his window and listened to birds, as most writers who are alone do. Some do not know the names of birds, though he did. Your eye is too quick and North American. Think about the speed of his pen. What an appalling, barnacled old first paragraph it is otherwise.”

“You get no writing done at all if you sit at a table with a view. You'd spent the whole time watching the birds or thinking about what you would like to be doing out of doors, instead of flogging yourself to work out of sheer boredom.”

“You've spent all this time afraid to talk about what was going on between you two, but if you'd ever bothered to ask him, you would have discovered that he wasn't worth it.”

“Artists talk a lot about freedom. So, recalling the expression "free as a bird," Morton Feldman went to a park one day and spent some time watching our feathered friends. When he came back, he said, "You know? They're not free: they're fighting over bits of food.”