“Such was a poet and shall be and is-who'll solve the depths of horror to defend a sunbeam's architecture with his life: and carve immortal jungles of despair to hold a mountain's heartbeat in his hand.”

“And I'm not a poet: but never despair!I'll madly live the poems I shall never write.”

“The King beneath the mountains,The King of carven stone,The lord of silver fountainsShall come into his own!His crown shall be upholden,His harp shall be restrung,His halls shall echo goldenTo songs of yore re-sung.The woods shall wave on mountains.And grass beneath the sun;His wealth shall flow in fountainsAnd the rivers golden run.The streams shall run in gladness,The lakes shall shine and burn,And sorrow fail and sadnessAt the Mountain-king’s return!”

“We dwell with satisfaction upon the poet’s difference from his predecessors, especially his immediate predecessors; we endeavour to find something that can be isolated in order to be enjoyed. Whereas if we approach a poet without this prejudice we shall often find that not only the best, but the most individual parts of his work may be those in which the dead poets, his ancestors, assert their immortality most vigorously. And I do not mean the impressionable period of adolescence, but the period of full maturity.”

“Holding Eleanor's hand was like holding a butterfly. Or a heartbeat. Like holding something complete, and completely alive.”

“Rain! whose soft architectural hands have power to cut stones, and chisel to shapes of grandeur the very mountains.”