“And the wave of tenderness and pity that at once filled his heart was not the stirring of the soul that leads the son to the memory of the vanished father, but the overwhelming compassion that a grown man feels for an unjustly murdered child – something here was not in the natural order and, in truth, there was no order but only madness and chaos when the son was older than the father. The course of time itself was shattering around him while he remained motionless among those tombs he now no longer saw, and the years no longer kept to their places in the great river that flows to its end. They were no more than waves and surf and eddies where Jacques Cormery was not struggling in the grip of anguish and pity. He looked at the other inscriptions in that section and realized from the dates that this soil was strewn with children who had been the fathers of graying men who thought they were living in this present time. For he too believed he was living, he alone had created himself, he knew his own strength, his vigor, he could cope and he had himself well in hand. But, in the strange dizziness of that moment, the statue every man eventually erects and that hardens in the fire of the years, into which he then creeps and there awaits its final crumbling – that statue was rapidly cracking, it was already collapsing. All that was left was this anguished heart, eager to live, rebelling against the deadly order of the world that had been with him for forty years, and still struggling against the wall that separated him from the secret of all life, wanting to go farther, to go beyond, and to discover, discover before dying, discover at last in order to be, just once to be, for a single second, but forever.”