“There are things around us and about, of which I can render no distinct account--Things material and spiritual; heaviness in the atmosphere; a sense of suffocation, anxiety, and above all, that terrible state of existence which the nervous experience when the senses are keenly living and awake and meanwhile the powers of thought lie dormant.”

“TRUE! – nervous – very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses – not destroyed – not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily – how calmly I can tell you the whole story.”

“True, nervous, very, very dreadfully nervous I had been and am, but why will say that I am mad?! The disease had sharpened my senses, not destroyed, not dulled them. Above all was the sense of hearing acute.”

“That which you mistake for madness is but an overacuteness of the senses.”

“I call to mind flatness and dampness; and then all is madness - the madness of a memory which busies itself among forbidden things.”

“I went as a passenger, having no other inducement than a kind of nervous restlessness which haunted me as a fiend”

“I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression.”