“She lay for a long time listening to the mysterious sounds given forth by old houses at night, the undefinable creakings, rustlings, and sighings, which would have frightened Virginia had she remained awake, but which sounded to Nan like the long murmur of the past breaking on the shores of a sleeping world.”

“She knew that Virginia's survey of the world was limited to people, the clothes they wore, and the carriages they drove in. Her own universe was so crammed to bursting with wonderful sights and sounds that, in spite of her sense of Virginia's superiority - her beauty, her ease, her confidence - Nan sometimes felt a shamefaced pity for her.”

“Yes, you have been away a very long time.' 'Oh, centuries and centuries; so long,' she said, 'that I'm sure I'm dead and buried and this dear old place is heaven.”

“As soon as he heard of the Sillerton’s party he had said to himself that the Marchioness Manson would certainly come to Newport with the Blenkers, and that Madame Olenska might again take the opportunity of spending the day with her grandmother. At any rate, the Blenker habitation would probably be deserted, and he would be able, without indiscretion, to satisfy a vague curiosity concerning it. He was not sure that he wanted to see the Countess Olenska again; but ever since he had looked at her from the path above the bay he had wanted, irrationally and indescribably, to see the place she was living in, and to follow the movements of her imagined figure as he had watched the real one in the summer-house. The longing was with him day and night, an incessant undefinable craving, like the sudden whim of a sick man for food or drink once tasted and long since forgotten. He could not see beyond the craving, or picture what it might lead to, for he was not conscious of any wish to speak to Madame Olenska or to hear her voice. He simply felt that if he could carry away the vision of the spot of earth she walked on, and the way the sky and sea enclosed it, the rest of the world might seem less empty.”

“Yes - it was happiness she still wanted, and the glimpse she had caught of it made everything else of no account. One by one she had detached herself from the baser possibilities , and she saw that nothing now remained to her but the emptiness of renunciation. "The House of Mirth”

“Dialogue in fiction should be reserved for the culminating moments and regarded as the spray into which the great wave of narrative breaks in curving toward the watcher on the shore.”

“But she saw that his eyes, which were sand-colored like his face, and sandy-lashed, had found another occupation. They were fixed on Conchita Closson, who sat opposite to him; they rested on her unblinkingly, immovably, as if she had been a natural object, a landscape or a cathedral, that one had traveled far to see, and had the right to look at as long as one chose. He's drinking her up like blotting paper. I thought they were better brought up over in England!”