“George, who is out somewhere there in the dark, who is good to me - whom I revile, who can keep learning the games we play as quickly as I can change them. Who can make me happy and I do not wish to be happy. And yes, I do wish to be happy. George and Martha: Sad, sad, sad. Whom I will not forgive for having come to rest; for having seen me and having said: “Yes, this will do”. Who has made the hideous, the hurting, the insulting mistake of loving… me, and must be punished for it. George and Martha… Sad, sad, sad.”
“Martha: Oh, I like your anger. I think that's what I like about you most. Your anger.”
“You...you've been here quite a long time, haven't you?"What? Oh...yes. Ever since I married What's-her-name. Uh, Martha. Even before that. Forever. Dashed hopes, and good intentions. Good, better, best, bested. How do you like that for a declension, young man?”
“Unless you are terribly, terribly careful, you run the danger-- without even knowing it is happening to you-- of slipping into the fatal error of reflecting the public taste instead of creating it. Your responsibility is to the public consciousness, not to the public view of itself.”
“We proceed in this society of ours on the possibly valid but untrue assumption that the public knows what it wants-- indeed, that it is given sufficient information about what is available to make such a judgment. And then we jump, irresponsibly and absurdly, to the notion that there is a valid relationship between what the public wants and what it should want.”
“I write to find out what I'm talking about.”