“Some tiny creature, mad with wrath, is coming nearer on the path.”

“On the way home I absently minded (you know what I mean) went through a stop sign in Hyannis so of course there was a police car to apprehend me. A soft answer turnethed away wrath, fortunately.”

“Mr. Earbrass has rashly been skimming through the early chapters, which he had not looked at for months, and now sees TUH for what it is. Dreadful, dreadful, DREADFUL. He must be mad to go on enduring the unexquisite agony of writing when it all turns out drivel. Mad. Why did n't he become a spy? How does one become one? He will burn the MS. Why is there no fire? Why are n't there the makings of one? How did he get in the unused room on the third floor?”

“More is happening out there than we are aware of.It is possibly due to some unknown direful circumstance.”

“A small and sinister snow seems to be coming down relentlessly at present. The radio says it is eventually going to be sleet and rain, but I don't think so; I think it is just going to go on and on, coming down, until the whole world...etc. It has that look.”

“I suppose it was obvious that The Loathsome Couple was based on the Moors Murders, which disturbed me very greatly for some reason.”

“The thing is, and here we come to E. Gorey's Great Simple Theory About Art (which he has never tried to communicate to anybody else until now, so prepare for Severe Bafflement), that on the surface they are so obviously those situations that it is very difficult to see that they really are about something else entirely. This is the theory, incidentally, that anything is art, and it's the way I tell, is presumably about some certain thing, but is really always about something else, and it's no good having one without the other, because if you have the something it is boring and if you just have the something else it's irritating.”