“A man does not learn very well, Mr. Robbins. Women, yes, because they are used to bending with whatever wind comes along. A woman, no matter the age, is always learning, always becoming. But a man, if you will pardon me, stops learning at fourteen or so. He shuts it all down, Mr. Robbins. A log is capable of learning more than a man. To teach a man would be a battle, a war, and I would lose.”
“A woman, no matter the age, is always learning, always becoming. But a man . . . stops learning at fourteen or so.”
“Henry,” Robbins said, looking not at him but out to the other side ofthe road, “the law will protect you as a master to your slave, and it will not flinch when it protects you. That protection lasts from here”—and he pointed to an imaginary place in the road—“all the way to the death ofthat property”—and he pointed to a place a few feet from the first place. “But the law expects you to know what is master and what is slave. And it does not matter ifyou are not much more darker than your slave. The law is blind to that. You are the master and that is all the law wants to know. The law will come to you and stand behind you. But ifyou roll around and be a playmate to your property, and your property turns round and bites you, the law will come to you still, but it will not come with the full heart and all the deliberate speed that you will need. You will have failed in your part ofthe bargain. You will have pointed to the line that separates you from your property and told your property that the line does not matter.”
“The hitter can never be the judge. Only the receiver of the blow can tell you how hard it was, whether it would kill a man or make a baby just yawn.”
“She went through her memory for the time, for the day, she and and her husband told him all about what he should and should not do. No goin out into them woods without Papa or me knowin about it. No steppin foot out this house without them free papers, not even to go to the well or the privy. Say your prayers every night...Pick the blueberries close to the ground, son. Them the sweetest, I find. If a white man say the trees can talk, can dance, you just say yes right along, that you done seen em do it plenty of times. Don't look them people in the eye. You see a white woman riding toward you, get way off the road and go stand behind a tree. The uglier the white woman, the farther you go and the broader the tree. But where, in all she taught her son, was it about thou shall own no one, havin been owned once your own self. Don't go back to Egypt after God done took you outa there.”
“His oldest child from his second marriage, Matthew, stayed up all the night before he was buried, putting his father’s history on a wooden tombstone. He began with his father’s name on the first line, and on the next, he put the years ofhis father’s coming and going. Then all the things he knew his father had been. Husband. Father. Farmer. Grandfather. Patroller. Tobacco Man. Tree Maker. The letters ofthe words got smaller and smaller as the boy, not quite twelve, neared the bottom ofthe wood because he had never made a headstone for anyone before so he had not compensated for all that he would have to put on it. The boy filled up the whole piece ofwood and at the end of the last line he put a period. His father’s grave would remain, but the wooden marker would not last out the year. The boy knew better than to put a period at the end ofsuch a sentence. Something that was not even a true and proper sentence, with subject aplenty, but no verb to pull it all together. A sentence, Matthew’s teacher back in Virginia had tried to drum into his thick Kinsey head, could live without a subject, but it could not live without a verb.”
“You too heavy a man for me to carry...I done carried heavy men and I know how they can break your back. I ain’t got but this one back and I don’t want it broke again...”