“So that individuation may be compared to a pyramid in that it is only achieved by the placement of the top stone… The Jews, Ford said. They ain't like anyone else I know. There goes you theory up shits creek. He smiled.”

“And to top everything he's got this problem he can't let her know how he feels: What-he's shy? Shy! Tell me who in this goddamn world is shy? Young, old, the lame and halt. Clobber you over the head with what they feel. Oh Man I wish just once in my long fucked-up life someone had come up to me who was too shy to tell me what they thought of me...”

“The music of the Stones pounds the air like the amplified pulse of my erection.”

“I can assure you Ernest Hemingway was wrong when he said modern American literature began with Huckleberry Finn. It begins with Moby-Dick, the book that swallowed European civilization whole.”

“His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.”

“Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.”

“Writing teachers invariably tell students, write about what you know. That's, of course, what you have to do, but on the other hand, how do you know what you know until you've written it? Writing is knowing... I've had very little experience in my life. In fact, I try to avoid experience if I can. Most experience is bad.”