“His magic is powerful, intoxicating. I'm a butterfly caught in his net, unable and unwilling to escape. I'm his ....... totally his". (Ana to Christian)”

“his brown eyes are intoxicating, and in that moment, I see my escape.”

“He instantly covers my fingers with his own, giving me his slow, intoxicating smile. I feel a pang, as though I'm handing over a part of myself I've never offered before.”

“I don't know, Benes. I'm not sure I've ever really understood women for that kind of commitment.' He flipped his beer mat up int the air with his index finger and caught it in his hand.”

“Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf…The escape from reality was, he felt—especially right after the war—a worthy challenge… The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was the magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.”

“Oh, God. I'm in big trouble. Because I'm staring. I can't keep my eyes from ogling his chiseled triceps and biceps and every other "eps ' he has. The butterflies in my stomach have just multiplied tenfold as my wandering gaze meets his.”