“I have no sounds that could serve to soothe me, no violoncello like him, no lament that anyone would recognize as a lament because it sounds subdued, in an inexpressibly tender language. I have only these lines on the yellowish paper and words that are never new, for they keep saying the same thing through an entire life.”

“I cannot become modest; too many things burn in me; the old solutions are falling apart; nothing has been done yet with the new ones. So I begin, everywhere at once, as if I had a century ahead of me.”

“What a man touched upon, he should take with him. If he forgot it, he should be reminded. What gives a man worth is that he incorporates everything he has experienced. This includes the countries where he has lived, the people whose voices he has heard. It also takes in his origins, if he can find out something about them... not only one’s private experience but everything concerning the time and place of one’s beginnings. The words of a language one may have spoken and heard only as a child imply the literature in which it flowered. The story of a banishment must include everything that happened before it as well as the rights subsequently claimed by the victims. Others had fallen before and in different ways; they too are part of the story. It is hard to evaluate the justice of such a claim to history... We should know not only what happened to our fellow men in the past but also what they were capable of. We should know what we ourselves are capable of. For that, much knowledge is needed; from whatever direction, at whatever distance knowledge offers itself, one should reach out for it, keep it fresh, water it and fertilize it with new knowledge.”

“There are books, that one has for twenty years without reading them, that one always keeps at hand, that one takes along from city to city, from country to country, carefully packed, even when there is very little room, and perhaps one leafs through them while removing them from a trunk; yet one carefully refrains from reading even a complete sentence. Then after twenty years, there comes a moment when suddenly, as though under a high compulsion, one cannot help taking in such a book from beginning to end, at one sitting: it is like a revelation. Now one knows why one made such a fuss about it. It had to be with one for a long time; it had to travel; it had to occupy space; it had to be a burden; and now it has reached the goal of its voyage, now it reveals itself, now it illuminates the twenty bygone years it mutely lived with one. It could not say so much if it had not been there mutely the whole time, and what idiot would dare to assert that the same things had always been in it.”

“Travelling, one accepts everything; indignation stays at home. One looks, one listens, one is roused to enthusiasm by the most dreadful things because they are new. Good travellers are heartless.”

“...how could I, fool that I am, go on sitting in my office, or here at home, instead of leaping onto a train with my eyes shut and opening them only when I am with you?”

“Books have no life; they lack feeling maybe, and perhaps cannot feel pain, as animals and even plants feel pain. But what proof have we that inorganic objects can feel no pain? Who knows if a book may not yearn for other books, its companions of many years, in some way strange to us and therefore never yet perceived?”