“Then came the march past the victims. The two men were no longer alive. Their tongues were hanging out, swollen and bluish. But the third rope was still moving: the child, too light, was still breathing...And so he remained for more than half an hour, lingering between life and death, writhing before our eyes.And we were forced to look at him at close range. He was still alive when I passed him. His tongue was still red, his eyes not yet extinguished.Behind me, I heard the same man asking:"For God's sake, where is God?"And from within me, I heard a voice answer:"Where He is? This is where--hanging here from this gallows..."That night, the soup tasted of corpses.”

“It was the beginning of the war. I was twelve years old, my parents were alive, and God still dwelt in our town.”

“Why do you pray?" he asked me, after a moment. Why did I pray? A strange question. Why did I live? Why did I breathe?"I don't know why," I said, even more disturbed and ill at ease. "I don't know why."After that day I saw him often. He explained to me with great insistence that every question possessed a power that did not lie in the answer. "Man raises himself toward God by the questions he asks Him," he was fond of repeating. "That is the true dialogue. Man questions God and God answers. But we don't understand His answers. We can't understand them. Because they come from the depths of the soul, and they stay there until death. You will find the true answers, Eliezer, only within yourself!" "And why do you pray, Moshe?" I asked him. "I pray to the God within me that He will give me the strength to ask Him the right questions.”

“His breathing was labored. His eyes were closed. But I was convinced that he was seeing everything. That he was seeing the truth in all things.”

“I pray to the God within me that He will give me the strength to ask Him the right questions.”

“It was pitch dark. I could hear only the violin, and it was as though Juliek's soul were the bow. He was playing his life. The whole of his life was gliding on the strings--his last hopes, his charred past, his extinguished future. He played as he would never play again...When I awoke, in the daylight, I could see Juliek, opposite me, slumped over, dead. Near him lay his violin, smashed, trampled, a strange overwhelming little corpse.”

“I remember he asked his father, "Can this be true? This is the twentieth century, not the Middle Ages. Who would allow such crimes to be commited? How could the world remain silent?" And now the boy is turning to me. "Tell me," he asks, "what have you done with my future, what have you done with your life?" And I tell him that I have tried. That I have tried to keep memory alive, that I have tried to fight those who would forget. Because if we forget we are guilty, we are accomplices. And then I explain to him how naive we were, that the world did know and remained silent. And that is why I swore never to be silent whenever and wherever human beings endure suffering and humiliation.”