“…the primary trait of young adult literature is that the author’s emphasis is on plot and character and not on his own brilliance. And because few people talk about whether a young adult work is commercial or literary; the two are still in sync, and everyone’s benefitting.”

“A little self-hatred keeps a person interesting”

“Interview on The Skiffy and Fanty Show 2010. In response to query that young adults may not be open to the nuances/realism in Moorehawke:‘(In fact)young adult readers seem to (be very inclined)to reading the (Moorehawke) books thematically. Some (not all) adult reviewers ... tend to be very plot oriented. Because the books are a slow release of information and very character driven ... (they) don’t reward impatient reading ... but young adults seem to be very patient readers. They’re very analytical as well. I get very analytical responses from my young adult readers.”

“John considered a young master as the natural enemy of an old servant, and young people in general as a poor contrivance for carrying on the world.”

“Question: You’re 21-years-old, a young adult writing mature adult literary fiction. Imaj: Yes, I feel creativity is an ageless thing.”

“It sometimes strikes me that there is only one taboo left in young adult literature. By and large, no one complains any more when we write about drugs or sex. We can write about masturbation; terminal illness; the horrors of war; illegal organ transplants; matricide; the chilly delights of necrophilia; scenes of locker-room bukkake – none of this raises an eyebrow. No, the one thing which still causes people pause – the final hurdle – the last frontier – the one element which still gets a few adult readers up in arms about whether a book is appropriate for kids – is intelligence. Some adults still balk at the assumption that our readers, the teenagers of this country, are smart, and curious, and get a kick out of knowing things. One of the great things about writing YA today is that this is changing.”

“But if Maggie had been that young lady, you would probably have known nothing about her: her life would have had so few vicissitudes that it could hardly have been written; for the happiest women, like the happiest nations, have no history.”