“In the classics section, she had picked up a copy of The Magic Mountain and recalled the summer between her junior and senior years of high school, when she read it, how she lay in bed hours after she should have gotten up, the sheet growing warmer against her skin as the sun rose higher in the sky, her mother poking her head in now and then to see if she'd gotten up yet, but never suggesting that she should: Eleanor didn't have many rules about child rearing, but one of them was this: Never interrupt reading.”

“When Suzie introduced Helen, she told the audience that one of the best things about books is that they are an interactive art form: that while the author may describe in some detail how a character looks, it is the reader's imagination that completes the image, making it his or her own. "That's why we so often don't like movies made from books, right?" Suzie said. "We don't like someone else's interpretation of what we see so clearly." She talked, too, about how books educate and inspire, and how they soothe the soul-"like comfort food without the calories," she said. She talked about the tactile joys of reading, the feel of a page beneath one's fingers; the elegance of typeface on a page. She talked about how people complain that they don't have time to read, and reminded them that if they gave up half an hour of television a day in favor of reading, they could finish twenty-five books a year. "Books don't take time away from us," she said. "They give it back. In this age of abstraction, of multitasking, of speed for speed's sake, they reintroduce us to the elegance-and the relief!-of real, tick-tock time.”

“I am thinking about the way that life can be so slippery; the way that a twelve-year-old girl looking into the mirror to count freckles reaches out toward herself and that reflection has turned into that of a woman on her wedding day, righting her veil. And how, when that bride blinks, she reopens her eyes to see a frazzled young mother trying to get lipstick on straight for the parent/teacher conference that starts in three minutes. And how after that young woman bends down to retrieve the wild-haired doll her daughter has left on the bathroom floor, she rises up to a forty-seven-year-old, looking into the mirror to count age spots.”

“She is her odd self. The kiln has been fired. She is a person persnickity about keeping her house clean, but not above spitting on her desk to rub out a coffee stain. She will never be an athlete, or a mathematician, or a skinny person, or someone whose heart isn't snagged by the sight of fireflies on a summer night and the lilting cadence of a few good lines of poetry.”

“Whenever Sadie sees engagement rings, she feels a strange mix of emotions: a kind of excitement mixedwith a vague sadness. A longing for a speci??c kind of inclusion she both aspires to and fears. And, oddly, she feels a sense of failure, ofshame. She knows it’s nonsensical, but there it is, big inside her, this sense of having screwed everything up, of having lost something shenever had.”

“Nona leans forward, "I had-a love."I nod."You know how it was? It was like-a trees. Oak and elm." Her voice has been soft, like it was lost in memory, but now she stares at me, her eyes narrowed, and she makes a fist and pounds the side of her chair. "The roots, they bound-a together, but the trees, they are free. You know what it's-a mean?”

“She sits down and puts her hand to her chest and rocks. Thinks of all she has lost and will lose. All she has had and will have. It seems to her that life is like gathering berries into an apron with a hole. Why do we keep on? Because the berries are beautiful, and we must eat to survive. We catch what we can. We walk past what we lose for the promise of more, just ahead.”