“We're so far away from those stars”

“No one could ever be for me what [he] had been because he had known me when, and that had kept me away from the true reality of my years.”

“The summer I was ten years old, there was a group of kids in my neighborhood who played together every night after dinner. I often watched them from my window…Every night around nine-thirty or ten, those kids would get called in one by one…I knew the first ones called were full of resentment. But they needn’t have been. Nothing ever happened after they left anyway. Things just sort of ended in a slow motion way, like petals falling off a flower. You couldn’t have people leave like that and have anything good happen afterward. Whoever was left couldn’t pay much attention to anything other than waiting for their turn to get called in. So, it wasn’t so bad to go first, to head back toward those deep yellow lights and beds made up with summer linens. It was much better than being last, when you would be left standing there alone, finally going in without anybody calling you.”

“When it's new and important, you have to rest in between times. And anyway, even when I like a person there is a weariness that comes. I can be with someone and everything is fine and then all of a sudden it can wash over me like a sickness, that I need the quiet of my own self. I need to unload my head and look at what I've got in there so far. See it. Think what it means. I always need to come back to being alone for a while.”

“When Suzie introduced Helen, she told the audience that one of the best things about books is that they are an interactive art form: that while the author may describe in some detail how a character looks, it is the reader's imagination that completes the image, making it his or her own. "That's why we so often don't like movies made from books, right?" Suzie said. "We don't like someone else's interpretation of what we see so clearly." She talked, too, about how books educate and inspire, and how they soothe the soul-"like comfort food without the calories," she said. She talked about the tactile joys of reading, the feel of a page beneath one's fingers; the elegance of typeface on a page. She talked about how people complain that they don't have time to read, and reminded them that if they gave up half an hour of television a day in favor of reading, they could finish twenty-five books a year. "Books don't take time away from us," she said. "They give it back. In this age of abstraction, of multitasking, of speed for speed's sake, they reintroduce us to the elegance-and the relief!-of real, tick-tock time.”

“If I could just have him until the day was over. Just a few more hours. But he was gone. I clasped my hand tightly over my mouth and felt a trembling that started deep inside move out to make all of me shake. I had a mighty impulse, it truly was mighty, to rise to my feet and howl. To overturn the chair and nightstand, to rip at my clothes, to bring down the very walls around us. But of course I did not do that. I pulled an elemental sense of outrage back inside and smoothed it down. I forced something far too big into something far too small, and this made for a surprising and unreasonable weight, as mercury does. I noticed sounds coming from my throat, little unladylike grunts. I saw that everything I’d ever imagined about what it would feel like when was pale. Was wrong. Was the shadow and not the mountain. And then, “It’s all right,” I said, quickly. “It’s all right.” To whom? I wondered later.”

“I think, actually, that none of us understands anyone else very well, because we're all too shy to show what matters the most. If you ask me, it's a major design flaw. We ought to be able to say, Here, look what I am. I think it would be quite a relief.”