“Think of the long trip home. Should we have stayed home and thought of here? Where should we be today?”
“Oh, must we dream our dreamsand have them, too?”
“The moon in the bureau mirrorlooks out a million miles(and perhaps with pride, at herself,but she never, never smiles)far and away beyond sleep, orperhaps she's a daytime sleeper.By the Universe deserted,she'd tell it to go to hell,and she'd find a body of water,or a mirror, on which to dwell.So wrap up care in a cobweband drop it down the wellinto that world invertedwhere left is always right,where the shadows are really the body,where we stay awake all night,where the heavens are shallow as the seais now deep, and you love me.”
“I have seen it over and over, the same sea, the same,slightly, indifferently swinging above the stones,icily free above the stones,above the stones and then the world.If you should dip your hand in,your wrist would ache immediately,your bones would begin to ache and your hand would burnas if the water were a transmutation of firethat feeds on stones and burns with a dark gray flame.If you tasted it, it would first taste bitter,then briny, then surely burn your tongue.It is like what we imagine knowledge to be:dark, salt, clear, moving, utterly free,drawn form the cold hard mouthof the world, derived from the rocky breastsforever, flowing and drawn, and sinceour knowledge is historical, flowing, and flown.”
“Why shouldn't we, so generally addicted to the gigantic, at last have some small works of art, some short poems, short pieces of music [...], some intimate, low-voiced, and delicate things in our mostly huge and roaring, glaring world?”
“Is it right to be watching strangers in a play / in this strangest of theatres? / What childishness is it that while there's a breath of life / in our bodies, we are determined to rush / to see the sun the other way around? ”