“I dare say, my remark came from the professional feeling of there being nothing like leather.[Mr. Hale--about books; reminding me of my statement that "there is nothing like holding a real book in your hands"]”

“But I do go in for books. I love to own books. Though I read few books twice, I have filled every shelf in my house with books, have had more shelves made and filled those too. My books surround me like a cocoon. When I run my finger along the backs of my books they feel like the ribcage of an old familiar lover. Visit my shelves and you will learn much about me.”

“So I had nothing to distract me from my books and their other worlds that swallowed me whole, from Narnia to the Wisconsin woods, from a small town in Sweden to the red earth of Prince Edward Island. Nothing and no one interested me as much as my books.”

“Nothing says "I hold my gun sideways" like a bad face tattoo.”

“I just make the best book that I can and try to not worry about audience or if it will sell. The odds are against you, so why abuse your talent for the sake of a chimera? The only real pleasure for me in writing comes from pleasing myself. What readers think is interesting and illuminating (and it may even be correct), but that is nothing compared to the excitement of seeing a world develop. Besides, even though I like most individuals I meet, I have a pretty low opinion of people in general. So if I were to write for people in general, I would have to drastically lower my estimation of the intelligence of my reader. Rather than doing that, I write the way it seems the book has to appear. I don’t think that’s egotistic. There are often things I would like to include in my books—things about me personally and other materials—that I feel I have to leave out because they aren’t relevant to the book. I’m fairly ruthless along those lines, because I try to let nothing come in the way of what’s best for the book. If that means that the book won’t sell or that a publisher won’t buy it, then that’s my problem. I’ll suffer for that, but I won’t let the book suffer for it.”

“Because by now Elinor had understood this, too: A longing for books was nothing compared with what you could feel for human beings. The books told you about that feeling. The books spoke of love, and it was wonderful to listen to them, but they were no substitute for love itself. They couldn't kiss her like Meggie, they couldn't hug her like Resa, they couldn't laugh like Mortimer. Poor books, poor Elinor.”