“Humph.” She peered down suspiciously as he parted the leaves to reveal the choke. “That doesn’t look very tasty.”“That’s because it isn’t,” he said. “Pay heed: the artichoke is a shy vegetable. She covers herself in spine-tipped leaves that must be carefully peeled away, and underneath shields her treasure with a barricade o’ soft needles. They must be tenderly, but firmly, scraped aside. Ye must be bold, for if yer not, she’ll never reveal her soft heart.”He finished cutting away the thistles and placed the small, tender heart on the center of her plate.She wrinkled her nose. “That’s it? But it’s so small.”“Ah, and d’ye judge a thing solely upon size alone?”She made a choking sound.”

“He pulled the knitting away from her, throwing it in the grass, then sank down on his knees in front of her, wrapping his arms around her waist and burying his head in her lap. He was shaking, she realized, and the tears were pouring down her face, onto him, as she stroked his long, silken hair and cried.She didn't care what it sounded like—the hiccupping noises, the choking sobs.Her own body was shaking, racked by the final release, and he sat back on his heels and pulled her out of the chair, into his arms, holding her so tightly that a weaker woman might break, whispering to her in Japanese, sweet, loving words, letting her cry.She was a strong woman, and her tears, so long denied, only made her stronger.His heart was pounding against hers, his hands firm and tender, pushing the hair away from her tear-drenched face. When he kissed her she couldn't breathe, and she didn't care.”

“In classical pas de deux, the man controls everything. He picks up the girl. He puts her down. He turns her, takes her weight, stops her, and she must always go where he leads. The woman submits to all this completely. But her submission is not feeble. In fact, the only reason she can submit so utterly is because she is very strong in herself. In her center. She does not collapse, or cave, or stutter-step, or flop. No, she holds herself very consciously, very confidently. She is centered within her own weight. So the man always knows where she is. He can feel her. He can absorb her strength.”

“He said, and his voice was strained as if he had had a mortal wound, 'Gwenhwyfar-' He so seldom spoke her formal name, it was always my lady or my queen, or when he spoke to her in play it was always Gwen. When he spoke it now, it seemed to her she had never heard a sweeter sound. 'Gwenhwyfar. Why do you weep?'Now she must lie, and lie well, because, she could not in honor tell him the truth. She said, 'Because-' and stopped, and then, in a choking voice, she said, 'because I do not know how I shall live if you go away.”

“Woman must come of age by herself -- she must find her true center alone.”

“And then he saw the tears begin to slide down her bruised face.“How badly are you hurt?” He should have checked her chart on the way in, but he'd wanted to get out of sight as quickly as possible.“Nothing interesting,” she said, sounding faintly disgruntled. “Just a sprained ankle and some bruises. It's my heart.”“Your heart?” he echoed, panicked. “Do you have internal injuries...?”“It's broken,” she said, soft, plaintive, the tears still sliding down her face.He muttered a curse. It was just the drugs talking, but he could feel his own heart twist inside. She lay in the middle of the wide hospital bed, but she was looking very small, and he simply climbed up beside her, pulling her into his arms with exquisite care, not wanting to hurt her any more.She let out a small sound, and for a moment he thought it was a cry of pain, but then she moved closer, putting her face against his shoulder, and he could feel her crying. “I missed you,” she said, her voice muffled.“I know.” He held her gently—she suddenly felt fragile, and he'd almost been too late.”