“I believe in walking out of a museum before the paintings you've seen begin to run together. How else can you carry anything away with you in your mind's eye?”

“History has taught us that the nature of man is evil, sublimely so. Good is not perfectible, but evil is. Why should you not use your great mind in service of what is perfectible? I ask you, my friend, to join me of your own accord in my research. If you do so, you will save yourself great anguish, and you will save me considerable trouble. Together we will advance the historian's work beyond anything the world has ever seen. There is no purity like the purity of the sufferings of history. You will have what every historian wants: history will be reality to you. We will wash our minds clean with blood.”

“What comes to your mind when you think of the word Transylvania, if you ponder it at all? What comes to my mind are mountains of savage beauty, ancient castles, werewolves, and witches - a land of magical obscurity. How, in short, am I to believe I will still be in Europe, on entering such a realm? I shall let you know if it's Europe or fairyland, when I get there. First, Snagov - I set out tomorrow.”

“Even someone you've inhabited rooms with, and seen naked everyday, seen sitting on the toilet through a half-opened door, can fade out after a while and become an outline.”

“The thing that most haunted me that day, however...was the fact that these things had - apparently - actually occurred...For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth. And once you've seen that truth - really seen it - you can't look away.”

“Above all, he encourages her to paint, nodding with approval at even her most unusual experiments with color, light, rough brushwork [...]. She explains to him that she believes painting should reflect nature and life [...]. He nods, although he adds cautiously that he wouldn't want her to know too much about life - nature is a fine subject, but life is grimmer than she can understand. He thinks it is good for her to have something satisfying to do at home; he loves art himself; he sees her gift and wants her to be happy. He knows the charming Morisots. He has met the Manets, and always remarks that they are a good family, despite Édouard's reputation and his immoral experiments (he paints loose women), which make him perhaps too modern - a shame, given his obvious talent. In fact, Yves takes her to many galleries. They attend the Salon every year, with nearly a million other people, and listen to the gossip about favorite canvases and those critics disdain. Occasionally they stroll in the museums in the Louvre, where she sees art students copying paintings and sculpture, even an unchaperoned woman here and there (surely Americans). She can't quite bring herself to admire nudes in his presence, certainly not the heroic males; she knows she will never paint from a nude model herself. Her own formal training was in the private studios of an academican, copying from plaster casts with her mother present, before she married.”

“I don't think painters have the answers about a painting except the painting itself. Anyway, a painting has to have some kind of mystery to it to make it work.”