“I've noticed Dracula was often as practical a fellow as he was a nasty one.”

“He said there is a place in Gaul, the oldest church in their part of the world, where some of the Latin monks have outwitted death by secret means. He offered to sell me their secrets, which he has inscribed in a book."The abbot shudders. "God preserve us from such heresies," he says hastily. "I am certain, my son, that you refused this temptation."Dracula smiles. "You know I am fond of books.”

“I've read there is no such thing as a single tear, that old poetic trope. And perhaps there isn't, since hers was simply a companion to my own.”

“I've always been interested in foreign relations. It's my belief that study of history should be our preparation for understanding the present rather than an escape from it.”

“There are people who stick in one's memory much more clearly after a brief acquaintance than others whom one sees day after day after a long period.”

“He brought his great hand to rest on an early edition of Bram Stoker's novel and smiled, but said nothing. Then he moved quietly away into another section.”

“Above all, he encourages her to paint, nodding with approval at even her most unusual experiments with color, light, rough brushwork [...]. She explains to him that she believes painting should reflect nature and life [...]. He nods, although he adds cautiously that he wouldn't want her to know too much about life - nature is a fine subject, but life is grimmer than she can understand. He thinks it is good for her to have something satisfying to do at home; he loves art himself; he sees her gift and wants her to be happy. He knows the charming Morisots. He has met the Manets, and always remarks that they are a good family, despite Édouard's reputation and his immoral experiments (he paints loose women), which make him perhaps too modern - a shame, given his obvious talent. In fact, Yves takes her to many galleries. They attend the Salon every year, with nearly a million other people, and listen to the gossip about favorite canvases and those critics disdain. Occasionally they stroll in the museums in the Louvre, where she sees art students copying paintings and sculpture, even an unchaperoned woman here and there (surely Americans). She can't quite bring herself to admire nudes in his presence, certainly not the heroic males; she knows she will never paint from a nude model herself. Her own formal training was in the private studios of an academican, copying from plaster casts with her mother present, before she married.”