“He wanted to put his arms around her, but she had a darkness that seemed to stand beside her like an acquaintance that would not go away.”

“He feels as if he is floating, and she is weighting him to earth; he would like to put his arms around her and his face in her apron, and rest there listening to her heartbeat. But he doesn't want to mess her up, get blood all down the front of her.”

“She craved a presence beside her, solid. Fingertips light at the nape of her neck and a voice meeting hers in the dark. Someone who would wait with an umbrella to walk her home in the rain, and smile like sunshine when he saw her coming. Who would dance with her on her balcony, keep his promises and know her secrets, and make a tiny world wherever he was, with just her and his arms and his whisper and her trust.”

“As soon as the man had gone, Caitrina moved to stand before him, her soft feminine scent clouding his senses. Would it always be like this—this clawing need for her? The inability to think when she was near? The feeling that if he didn’t take her in his arms and kiss her, he would surely die?”

“She would (if she could) put her arm around the girl she'd been and try to tell her Take it easy, but the girl would not have listened. The girl had no receptors for Take it easy. And besides, "Hey Jude" was on the radio, it was her prayer, her manifesto, almost her dwelling place. She sang it everywhere. The music made her cry then; it makes her cry now. Listening to it now brings back memories so sharp they taste like blood in her mouth.”

“She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.”