“Even without them touching me, I feel dirty about what I do. Alex does even filthier things but says it all washes off with soap. I don’t believe that. I think it all leaves stains. Indelible stains.”

“You were talking about the wind," the Fillyjonk said suddenly. "A wind that carries off your washing. But I'm speaking about cyclones. Typhoons, Gaffsie dear. Tornadoes, whirlwinds, sandstorms... Flood waves that carry houses away... But most of all I'm talking about myself and my fears, even if I know that's not done. I know everything will turn out badly. I think about that all the time. Even while I'm washing my carpet. Do you understand that? Do you feel the same way?”

“On the other hand, when I think of other philosophers who have spent their lives developing some system, and I admire their work even though I disagree with it, I think of them as the guardians of some set of ideas and lines of thoughts that philosophers through time have found it fruitful and illuminating to think through. That seems to me a valuable thing to do, even if in the end I don’t think their views are right. But it’s a little hard to think of one’s own work in that way. After all, I believe the things that I believe.”

“But then Mason touches my neck, to the spot on it where the cut from that night has since healed, and I pull away.He was right, after all; it didn't leave a scar, though part of me wishes it had. At least I'd have some evidence, some justification of this permanence. Stains are even worse when you're the only one who can see them.”

“If I told you that everything about you had been just made up by someone, that all of your thoughts, all of your memories, even the things you chose to say had been invented and that they weren’t real, that you weren’t real, would you believe me? I don’t think so.”

“What do I know about love? Not much-that’s the safe answer. Even when I think I have a grasp on it, something comes along to make me realize I don’t know anything at all. It’s just a concept to me. It’s the thing that all the songs are written about, the thing that makes smart people act stupidly. If I can make love a concept, it makes me a better observer. And it also leaves a place inside of me hollow. Sometimes I can actually feel it. To reach down inside that part-I wonder how it would feel, to touch a void. That nameless empty.This makes me seem lonely, which isn’t really true. I have other parts of me—friendship, for one—which compensate for the void. I can’t feel the nothingness except in those rare times when there’s nothing else to feel.”