“The machine seemed to understand time and space, but it didn’t, not as we do. We are analog, fluid, swimming in a flowing sea of events, where one moment contains the next, is the next, since the notion of “moment” itself is the illusion. The machine—it—is digital, and digital is the decision to forget the idea of the infinitely moving wave, and just take snapshots, convincing yourself that if you take enough pictures, it won’t matter that you’ve left out the flowing, continuous aspect of things. You take the mimic for the thing mimicked and say, Good enough. But now I knew that between one pixel and the next—no matter how densely together you packed them—the world still existed, down to the finest grain of the stuff of the universe. And no matter how frequently that mouse located itself, sample after sample, snapshot after snapshot—here, now here, now here—something was always happening between the here’s. The mouse was still moving—was somewhere, but where? It couldn’t say. Time, invisible, was slipping through its digital now’s.”

“I had this idea we would have ordered some good champagne, launched toast after toast to our humanity, which after all had created everything: the opportunities for the bug, the bug itself, and its solution. I think now it might have changed us, softened our failures, made us feel we belonged to—had a true stake in—those lives full of code we had separately stumbled into. I like to think it would have reassured him, saved him: To know that at the heart of the problem was the ancient mystery of time. To discover that between the blinks of the machine’s shuttered eye—going on without pause or cease; simulated, imagined, but still not caught—was life.”

“It's only a matter of getting through the next few moments, she thought: take care of the next few moments, and then the next, a few at a time, and after a while it will be easier; you'll get over it, after a while.”

“Most of us, no matter what we say, are walking in the dark, whistling in the dark. Nobody knows what is going to happen to him from one moment to the next, or how one will bear it. This is irreducible. And it's true of everybody. Now, it is true that the nature of society is to create, among its citizens, an illusion of safety; but it is also absolutely true that the safety is always necessarily an illusion. Artists are here to disturb the peace.”

“But now what? Is this a ticket to a new understanding of my life, or a bomb that's going to blow up everything?Consider one more possibility: that you remain essentially the same person you were, neither new nor destroyed.”

“The corollary of constant change is ignorance. This is not often talked about: we computer experts barely know what we're doing. We're good at fussing and figuring out. We function well in a sea of unknowns. Our experience has only prepared us to deal with confusion. A programmer who denies this is probably lying, or else is densely unaware of himself.”

“I couldn’t move. It’s something I’m still ashamed of. You always wonder how you’ll handle a moment of crisis; if you’ve got what it takes to fight or if you’ve just been deluding yourself all along that somewhere deep inside you there’s steel beneath the magnolia. Now I knew the truth. There wasn’t. I was all petals and pollen. Good for attracting the procreators who could ensure the survival of our species, but not a survivor myself. I was Barbie after all.”