“It's like the smell of burned toast. You made the toast. You looked forward to it. You even enjoyed making it, but it burned. What were you doing? Was it your fault? It doesn't matter anymore. You open the window, but only the very top layer of the smell goes away. The rest remains around you. It's the walls. You leave the room, but it's on your clothes. You change your clothes, but it's in your hair. It's on the thin skin on the tops of your hand. And in the morning, it's still there.”

“You know you're in love with somebody when you wake up next to them, comfortable despite your breath smelling like the week-old water at the bottom of a vase, when you are terribly excited to see them, to talk to them again, having missed them after all that sleep. ”

“These outward identities we build for ourselves are not all that we are. A person is made of so many layers. Skin is just the top layer. It's the part you can see, so when you walk into a room, others won't run into you. It's the brown-hair, brown-eyes layer; the you-look-good-in-green layer. Your outside is important because God made that part. He made you on purpose, uniquely beautiful. But you can't stop there, because that's your body, your skin, your outside. Dead people have all that stuff too.”

“There's the ambiguity of human relationships, for instance. A relationship between two people, just like a sequence of words, is ambiguous if it is open to different interpretations. And if two people do have differing views about their relationship - I don't just mean about its state, I mean about its very nature - then that difference can affect the entire course of their lives.”

“You don't need to be seeing someone to be in love with her. You can have lost touch with her, she can have hurt you, even inexplicably. If you ever felt that you really knew her and that it was what you knew that you loved, and if you remember what it was you once knew, why is it so crazy to retain that love still?”

“…anyway it wasn’t your reading that started this. It was the laugher, the carefree laughter, the three dimensional Coca Cola advertisement that you were, the try-anything-once friends, the imperviousness to all that came before you, the chain phone calls, the in-jokes, the instant success, the beach houses, the white lace underwear, the private dancing, the good-graced acceptance pf part-time shift work, the apparent absence of expectations, the ever-changing disposable cults of the rural, the family, the eastern, the modern, the postmodern, the impoverished, the sleekly deregulated, the orgasm, the feminine, the feminist, and then the way you canceled with the air of one making a salad”

“What else is life from the time you were born but a struggle to matter, at least to someone?”